Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Japanese Modernization Prints Collection (Yokohama-e and Kaika-e) in the Náprstek Museum

View through CrossRef
This article deals with the collection of prints Yokohama-e and kaika-e, which are part of the collection of woodblock prints in the Náprstek Museum. The Yokohama-e and kaika-e woodblock prints were created in the second half of the 19th century in response to Japan’s changing politics, the arrival of foreigners, and the modernization of the country, thus capturing both the first introduction to Western innovations and the manner in which these subjects were presented to the public in Japan. The modernization prints in the Náprstek Museum have not yet been evaluated by scholars; the aim of this article is to provide information concerning this part of the woodblock print collection – the artists of the prints, the subjects depicted, and the question of the donors through whose agency the prints came into the museum’s possession.
National Museum, Czech Republic
Title: Japanese Modernization Prints Collection (Yokohama-e and Kaika-e) in the Náprstek Museum
Description:
This article deals with the collection of prints Yokohama-e and kaika-e, which are part of the collection of woodblock prints in the Náprstek Museum.
The Yokohama-e and kaika-e woodblock prints were created in the second half of the 19th century in response to Japan’s changing politics, the arrival of foreigners, and the modernization of the country, thus capturing both the first introduction to Western innovations and the manner in which these subjects were presented to the public in Japan.
The modernization prints in the Náprstek Museum have not yet been evaluated by scholars; the aim of this article is to provide information concerning this part of the woodblock print collection – the artists of the prints, the subjects depicted, and the question of the donors through whose agency the prints came into the museum’s possession.

Related Results

Educational Prints at the Náprstek Museum
Educational Prints at the Náprstek Museum
Collections of the National Museum – Náprstek Museum of Asian, African and American Cultures include a set of 355 educational images printed on cloth and hand-coloured. They were p...
Decorative Borders in Chinese Folk Prints. Insight into the Náprstek Museum Collections
Decorative Borders in Chinese Folk Prints. Insight into the Náprstek Museum Collections
The article examines the printed borders which adorn a moderate number of Yangliuqing prints from the collections of the Náprstek Museum. They are made up of auspicious elements co...
Japanese Government Policies and Business Activities for Open Innovation and Implications to Korea
Japanese Government Policies and Business Activities for Open Innovation and Implications to Korea
Purpose: The purposes of this research are to review Japanese government policies and business activities as to open innovation and to suggest implications for Korean government an...
The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema
The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema
Japanese cinema in the early twenty-first century has seen the emergence of Japanese-language films written by non-Japanese screenwriters. The arrival of these screenwriters and sc...
A Visual Political Economy of Maya Representations in Guatemala, 1931-1944
A Visual Political Economy of Maya Representations in Guatemala, 1931-1944
This essay discusses how Mayas, and visual images of them as discursively constructed subjects/objects, are located in dictator Jorge Ubico's economic development and modernization...
Why Look for a Dark Logos in a Dark Room (Especially When It Isn’t There)?
Why Look for a Dark Logos in a Dark Room (Especially When It Isn’t There)?
The article provides a critical analysis of the Russian philosopher, sociologist and political scientist Alexander Dugin. According to Dugin, there are no universal (rational) prin...

Back to Top