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Symbolorum et Emblematum ex re herbaria desumtorum Centuria una
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Etching
Drawings and Prints, Metropolitan Museum of Art New York NY, Harris Brisbane Dick Fund 1942
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Title plate, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]
Title plate, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]
Etching, Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]...
Four terms and two caryatids seen in side view as supporting elements of entablature, including three satyrs, plate 15, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]
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Etching; first state of two (Hollstein), Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]...
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Six terms, two single on the far ends and two in pairs, plate 12, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]
Etching; first state of two (Hollstein), Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]...
Five terms and one caryatid, two female and four male, with the female term encased in strapwork at left, plate 2, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]
Five terms and one caryatid, two female and four male, with the female term encased in strapwork at left, plate 2, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]
Etching; first state of two (Hollstein), Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]...
Imaginary Herbaria of Dr James Miranda Barry
Imaginary Herbaria of Dr James Miranda Barry
Artwork of an imaginary herbarium re-interpreted from a historical anatomical plate (source: Sir Astley Paston Cooper, 1768-1841), using inks, pastels and graphite on paper. Text i...