Javascript must be enabled to continue!
NEWSREELS AND CENSORSHIP IN ANTANAS SMETONA’S LITHUANIA, 1926–1940
View through CrossRef
December 17, 1926 marked a change for the young independent Republic of Lithuania. On that day a military coup d’état replaced the democratically elected government with the authoritarian government led by ultra-conservative Lithua- nian Nationalist Union (Tautininkų sąjungos) party leader Antanas Smetona. The new government increased the control of various means of mass communication. In 1932 Film censorship law was passed, which created one centralised institution to censor all films shown in Lithuania (before this law, censorship was sporadic and done by different district officials). The same year Newsreels law was passed, which ordered that before any feature film screening, a Lithuanian newsreel must be shown. This law boosted the small Lithuanian film-making community. But not for long, by 1935 all rights to make Lithuanian newsreels were granted to one company run by filmmaker Jurgis Linartas, and old acquaintance of Anta- nas Smetona. From then on, only the Lithuanian newsreels produced by Jurgis Linartas could be shown in theatres. By means of censorship and control of news- reel production, Antanas Smetona’s regime tried to create an alternative reality to be shown in cinemas. But the new reality not only contrasted with real life too much, its making was too much of a task to handle by the regime. Audience reac- tion to Antanas Smetona’s period newsreels and their shortcomings, show us the construction of ideal image of Lithuania failed in interwar Lithuanian newsreels.
Title: NEWSREELS AND CENSORSHIP IN ANTANAS SMETONA’S LITHUANIA, 1926–1940
Description:
December 17, 1926 marked a change for the young independent Republic of Lithuania.
On that day a military coup d’état replaced the democratically elected government with the authoritarian government led by ultra-conservative Lithua- nian Nationalist Union (Tautininkų sąjungos) party leader Antanas Smetona.
The new government increased the control of various means of mass communication.
In 1932 Film censorship law was passed, which created one centralised institution to censor all films shown in Lithuania (before this law, censorship was sporadic and done by different district officials).
The same year Newsreels law was passed, which ordered that before any feature film screening, a Lithuanian newsreel must be shown.
This law boosted the small Lithuanian film-making community.
But not for long, by 1935 all rights to make Lithuanian newsreels were granted to one company run by filmmaker Jurgis Linartas, and old acquaintance of Anta- nas Smetona.
From then on, only the Lithuanian newsreels produced by Jurgis Linartas could be shown in theatres.
By means of censorship and control of news- reel production, Antanas Smetona’s regime tried to create an alternative reality to be shown in cinemas.
But the new reality not only contrasted with real life too much, its making was too much of a task to handle by the regime.
Audience reac- tion to Antanas Smetona’s period newsreels and their shortcomings, show us the construction of ideal image of Lithuania failed in interwar Lithuanian newsreels.
Related Results
Traditions of the revived Lithuanian press in Vilnius in 1904-1914
Traditions of the revived Lithuanian press in Vilnius in 1904-1914
This article aims to analyze the system of press supervision and control in interwar Lithuania, most often referred to as censorship.
According to the subordination of the controll...
Activities of Diplomatic Corps of Lithuania between 1940–1941
Activities of Diplomatic Corps of Lithuania between 1940–1941
After the Soviet occupation of Lithuania on June 15, 1940, the diplomatic corps of Lithuania became the only institution which de jure represented Lithuania abroad and made all pos...
Antanas Smetona as Advocate of the Native Language
Antanas Smetona as Advocate of the Native Language
Antanas Smetona (1874–1944) was one of the most active promoters of the innate self in the early 20th century. His attention to the national heritage and the native language was di...
Biography pages of Juozas Albinas Lukša-Daumantas 1940–1941
Biography pages of Juozas Albinas Lukša-Daumantas 1940–1941
The article examines some pages of the life history of the famous post-war partisan Juozas Albinas Lukša Daumantas (10 August 1921 – 4 September 1951) from 1940 through 1941 that h...
Censorship
Censorship
In a very large body of censorship scholarship spanning centuries, communication scholars point out that every civilization since antiquity has attempted to stop disagreeable expre...
Manga Translation and Censorship Issues in Malaysia
Manga Translation and Censorship Issues in Malaysia
In manga translation, when original image and written representations are regarded as inappropriate content to the target readers’ socio-cultural context, censorship is imposed. Ne...
Bibliografija per pirmąjį Tarybų valdžios Lietuvoje dešimtmetį (1940–1950 m.)
Bibliografija per pirmąjį Tarybų valdžios Lietuvoje dešimtmetį (1940–1950 m.)
Under the bourgeois regime in Lithuania the condition of bibliography was very grave. The state paid no attention to that. Only individuals concerned themselves with bibliography. ...
Art of Renaissance Poland-Lithuania
Art of Renaissance Poland-Lithuania
Poland-Lithuania was a multiethnic, multilingual, and multi-confessional polity, comprising the Kingdom of Poland and the Grand Duchy of Lithuania. While they maintained separate l...

