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PERFORMANCE AS REHEARSAL: George Tabori's Staging of Beckett's and
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This article analyses similarities and differences in George Tabori's approach to staging and . The discussion pays particular attention to the use of the rehearsal metaphor in both productions, but also takes Tabori's rehearsal methods into account. It assesses the efficacy of this approach to Beckett in relation to Jonathan Kalb's distinction between the presentational and representational functioning of Beckett's plays in performance and in relation to Tabori's notion of a 'theatre that produces life'.
Title: PERFORMANCE AS REHEARSAL: George Tabori's Staging of Beckett's and
Description:
This article analyses similarities and differences in George Tabori's approach to staging and .
The discussion pays particular attention to the use of the rehearsal metaphor in both productions, but also takes Tabori's rehearsal methods into account.
It assesses the efficacy of this approach to Beckett in relation to Jonathan Kalb's distinction between the presentational and representational functioning of Beckett's plays in performance and in relation to Tabori's notion of a 'theatre that produces life'.
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