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Halloween: How It Came into the World
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This chapter discusses how
Halloween
(1978) was developed and created. John Carpenter's name appears above the title on
Halloween
, but the project existed before he came on board. Independent film producer Irwin Yablans rightly claims the mantle of ‘The Man Who Created Halloween’, the title of his 2012 autobiography. The project reached Carpenter with the tentative title
The Babysitter Murders
before it became
Halloween
shortly thereafter; but Carpenter is still quick to credit Yablans for conceiving the title and the concept. Yablans' marketing and distribution ingenuity played a large role in securing
Halloween
's success but it went far beyond anyone's expectations, reportedly making back its original budget sixty-fold in its initial release alone. It seems apparent that
Halloween
was uniquely positioned to benefit from overlapping currents in the New Hollywood, the American independent cinema, ‘youth cinema’, and the horror film.
Halloween
was also well positioned to benefit from a new wave of academic interest in the horror film.
Title: Halloween: How It Came into the World
Description:
This chapter discusses how
Halloween
(1978) was developed and created.
John Carpenter's name appears above the title on
Halloween
, but the project existed before he came on board.
Independent film producer Irwin Yablans rightly claims the mantle of ‘The Man Who Created Halloween’, the title of his 2012 autobiography.
The project reached Carpenter with the tentative title
The Babysitter Murders
before it became
Halloween
shortly thereafter; but Carpenter is still quick to credit Yablans for conceiving the title and the concept.
Yablans' marketing and distribution ingenuity played a large role in securing
Halloween
's success but it went far beyond anyone's expectations, reportedly making back its original budget sixty-fold in its initial release alone.
It seems apparent that
Halloween
was uniquely positioned to benefit from overlapping currents in the New Hollywood, the American independent cinema, ‘youth cinema’, and the horror film.
Halloween
was also well positioned to benefit from a new wave of academic interest in the horror film.
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