Hinterer Bach 3

Abstract The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. Yet there exists a diversity of interpretation of a magnit...

This chapter treats newly discovered Bach manuscripts found in the archive of the Leipzig firm Breitkopf & Härtel, which was the most influential music publisher in eighteenth ...

On May 14, 1737, Johann Adolph Scheibe (1708–76), a twenty-nine-year-old music theorist and composer in Hamburg, published a Sendschreiben (“letter”) describing the experience of a...

This chapter examines a collection of Bach chorale harmonizations copied in Dresden sometime during the 1730s, with the goal of clarifying both its likely provenance and purpose. “...

Abstract The Bach cantatas are among the highest achievements of Western musical art; yet studies of individual Bach cantatas that are both illuminating and detailed...

Music scholars have long recognized the value of comparing settings of the same cantata texts by Bach and his German contemporaries. Examining the ways in which multiple musical mi...

This chapter provides an eighteenth-century context for Johann Sebastian Bach’s cantatas with obbligato organ by showing how their various components engage in a larger discourse a...

This chapter examines concerted movements written by Johann Sebastian Bach from the mid- to late 1720s and how he adopted a “choir loft as chamber” approach to organ performance—pe...