Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Project by Michelangelo for the Ambo(s) of Santa Maria del Fiore, Florence

View through CrossRef
A group of Michelangelo's architectural drawings preserved in the Ashmolean and in the British Museum contains several detailed studies for a tall, semi-octagonal structure. Whereas the sketches have been dated ca. 1518, the nature of the building and its intended location are still a matter of debate. Recently, Wilde argued that the drawings show the ground plan and elevation of an ambo. This identification has been challenged on the basis that ambos had disappeared from liturgical use and had been replaced by pulpits centuries before Michelangelo. An examination of documents and sources reveals, however, that single and paired ambos had been built in the 15th century and that the 16th century marked a renewed liturgical interest in the Early Christian amboni tradition. Michelangelo's sketches in all probability reflect a project intended as part of the program for the embellishment of S. Maria del Fiore. This assumption is strengthened by the date of the drawings, executed after Michelangelo's return to Florence, by the contemporary decision of the operai to remodel the old choir of the church, and by the general architectural scheme of Michelangelo's ambo, which seems to have been conceived with the interior of this church in mind.
Title: A Project by Michelangelo for the Ambo(s) of Santa Maria del Fiore, Florence
Description:
A group of Michelangelo's architectural drawings preserved in the Ashmolean and in the British Museum contains several detailed studies for a tall, semi-octagonal structure.
Whereas the sketches have been dated ca.
1518, the nature of the building and its intended location are still a matter of debate.
Recently, Wilde argued that the drawings show the ground plan and elevation of an ambo.
This identification has been challenged on the basis that ambos had disappeared from liturgical use and had been replaced by pulpits centuries before Michelangelo.
An examination of documents and sources reveals, however, that single and paired ambos had been built in the 15th century and that the 16th century marked a renewed liturgical interest in the Early Christian amboni tradition.
Michelangelo's sketches in all probability reflect a project intended as part of the program for the embellishment of S.
Maria del Fiore.
This assumption is strengthened by the date of the drawings, executed after Michelangelo's return to Florence, by the contemporary decision of the operai to remodel the old choir of the church, and by the general architectural scheme of Michelangelo's ambo, which seems to have been conceived with the interior of this church in mind.

Related Results

Michelangelo's Laurentian Library: Drawings and Design Process
Michelangelo's Laurentian Library: Drawings and Design Process
Re-examination of a key group of Michelangelo's sketches for the Laurentian Library, located in the monastic complex of Florence's S. Lorenzo, offers a new understanding of his des...
Book reviews - Crítica de libros - Crítica de livros (Historia Agraria, 76)
Book reviews - Crítica de libros - Crítica de livros (Historia Agraria, 76)
Book reviews - Crítica de libros - Crítica de livros Niek Koning. Food Security, Agricultural Policies and Economic Growth: Longterm. Dynamics in the Past, Present and Future. Lond...
Michelangelo as a Baroque Poet
Michelangelo as a Baroque Poet
Michelangelo Buonarroti's influence upon baroque sculpture is now widely recognised by historians. Ever since that morning in 1506 when he and the Sangalli, father and son, watched...
Artistic Invention as Tradition in the Portrait Painting of Late-Colonial Lima
Artistic Invention as Tradition in the Portrait Painting of Late-Colonial Lima
José Joaquín Bermejo, Cristóbal de Aguilar, Cristóbal de Lozano y Pedro Díaz no son nombres muy conocidos fuera del Perú. Sin embargo, estos artistas son algunos de los pintores má...
El eclipse del trabajo y los riesgos para la democracia y la constitución republicana
El eclipse del trabajo y los riesgos para la democracia y la constitución republicana
Este trabajo es una defensa, desde la perspectiva de un sindicalista, del constitucionalismo de signo ferrajoliano en relación con los derechos sociales en general y los derechos d...
“El Mejunje”: artes, diversidad e inclusión en Santa Clara (Cuba).
“El Mejunje”: artes, diversidad e inclusión en Santa Clara (Cuba).
Ramón Silverio (1948, Santa Clara) es un dramaturgo, actor y director teatral cubano distinguido con las condecoraciones más importantes de su país (Distinción por la Cultura Nacio...

Back to Top