Perfecting Bodies: Who Are the Disabled in Andrew Niccol’s Gattaca?

This paper will examine the impact of genetic technologies on the corporeal and economical aspects of human lives while emphasizing the ambiguity of disability under these subversive circumstances. In 2013, the world was introduced to CRISPR genetic editing technology, followed by the controversial announcement in 2018 from Chinese scientist He Jiankui, who claims to have genetically engineered twins that were born HIV-immune. The possible social outcome of genetic treatment leading to the alteration of human embryos to create physically and intellectually superior offspring, as well as its impact on the social treatment of disabled bodies, is clearly illustrated in Andrew Niccol’s directive debut Gattaca. Here, I will discuss Niccol’s utilization of disabled characters in interrogating the employment of disabled characters as a narrative vehicle to reflect upon social paradigms. I examine both the subversion and expansion of the social construct of disability in Gattaca’s narrative, emphasizing the film’s portrayal of economic differences as a disabling factor in a world of augmentative technology.