Javascript must be enabled to continue!
11 Between Myth and History: The Tragedy of Antigone
View through CrossRef
Abstract
This chapter explores the Antigone myth and its unveiling in history from the context of sexual difference. Sexual difference is the most basic and universal difference, starting from which we can reach a global democratic community and culture respectful of all our other differences. Antigone's respect for the unwritten laws—the laws of human nature and the gods—reveals her respect for living beings and the cosmic order. She sees Polynices as the ‘son of my mother’. To Antigone humanity is comprised of man and of woman and she respects this sexual difference just as she respects her brother as a brother and her duty to him as a sister before her marriage to Haemon. Antigone fights not solely for her brother's burial but also to maintain the cosmic harmony. She tries to maintain a delicate balance between the gods of the underworld, her world, and Zeus. Life is the supreme value for Antigone. She only asks to live, to be. Creon breaks the cosmic harmony. He does not take female sexual identity into consideration. Creon can be viewed as a eunuch due to his lack of differentiation from the maternal world. Irigaray questions how the maternal world that asserts itself as patriarchy has been established in an arbitrary way. She believes that the maternal world should not begin with function but with sexual difference. A woman is first and foremost a woman before she is a mother. A feminine order can help men provide for differentiation (not repression) and growth of identity.
Oxford University PressOxford
Title: 11 Between Myth and History: The Tragedy of Antigone
Description:
Abstract
This chapter explores the Antigone myth and its unveiling in history from the context of sexual difference.
Sexual difference is the most basic and universal difference, starting from which we can reach a global democratic community and culture respectful of all our other differences.
Antigone's respect for the unwritten laws—the laws of human nature and the gods—reveals her respect for living beings and the cosmic order.
She sees Polynices as the ‘son of my mother’.
To Antigone humanity is comprised of man and of woman and she respects this sexual difference just as she respects her brother as a brother and her duty to him as a sister before her marriage to Haemon.
Antigone fights not solely for her brother's burial but also to maintain the cosmic harmony.
She tries to maintain a delicate balance between the gods of the underworld, her world, and Zeus.
Life is the supreme value for Antigone.
She only asks to live, to be.
Creon breaks the cosmic harmony.
He does not take female sexual identity into consideration.
Creon can be viewed as a eunuch due to his lack of differentiation from the maternal world.
Irigaray questions how the maternal world that asserts itself as patriarchy has been established in an arbitrary way.
She believes that the maternal world should not begin with function but with sexual difference.
A woman is first and foremost a woman before she is a mother.
A feminine order can help men provide for differentiation (not repression) and growth of identity.
Related Results
Antigone the Metic
Antigone the Metic
In Sophocles’ Antigone, as Antigone moves toward her tomb, she describes herself as metoikos twice (850-53; 867-68). A few lines later, Kreon, incensed that Antigone continues to l...
Kritik Mitos Tentang “Hang Tuah” Karya Amir Hamzah
Kritik Mitos Tentang “Hang Tuah” Karya Amir Hamzah
This study reveals the myth criticism on rhyme "Hang Tuah", an Amir Hamzah’s work expressing Malay myth. The Malay myth found in the rhyme "Hang Tuah" is placed as a meeting place ...
Der Chor der „Antigone“
Der Chor der „Antigone“
Manche Philologen betrachten den Chor der „Antigone“ als einen selbstständigen Schauspieler, der seine eigene feste Meinung hat. Aber das trifft nicht zu. Dieser Chor schwankt ja w...
13 Autochthonous Antigone: Breaking Ground
13 Autochthonous Antigone: Breaking Ground
Abstract
This chapter uses the trope of autochthony in order to consider Antigone as the figure for a radical kind of self‐authorization. Following Judith Butler, th...
12 Antigone with(out) Jocaste
12 Antigone with(out) Jocaste
Abstract
The chapter is the third in a series of essays the author has dedicated to Antigone, starting from 1996. This chapter deals with the mother‐and‐daughter mat...
14 Antigone and her Brother: What Sort of Special Relationship?
14 Antigone and her Brother: What Sort of Special Relationship?
Abstract
The Antigone who is familiar from Sophocles, and from later interpretations, is often held up as a positive model for courageous action against an oppressiv...
Fascism on Stage: Jean Anouilh’s Antigone
Fascism on Stage: Jean Anouilh’s Antigone
Abstract
This chapter analyses Jean Anouilh's Antigone and the controversy of the Nazi appropriation of Greek mythology. It uses the particular history of the play t...
David Hart, The Beauty of the Infinite: A Response
David Hart, The Beauty of the Infinite: A Response
I dissent from Hart's project of a theological aesthetics by a hair's breadth: but that hair's breadth is tragedy. The Beauty of the Infinite is an excellent book, but it would be ...

