Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Parting Ways With Piano Lessons: Comparing Motivation Between Continuing and Dropout Piano Students

View through CrossRef
Abstract Piano teachers believe that dropping out of piano lessons before reaching a moderate mastery of the instrument is a common problem among students. We used self-determination theory (Deci & Ryan, 1985) to measure the motivation of dropout students and to discover if amotivation and controlled motivation are related to attrition from private piano lessons. Using the Survey of Musical Interests, 55 former piano students who had quit lessons completed a questionnaire with Likert scale, multiple choice, and open-ended questions, and their parents filled out a complementary questionnaire. The dropout students took lessons for approximately 5 years and stopped lessons in the preteen years, which supports a common experience of studio teachers. These participants were compared to 260 students who were still involved with piano lessons. Beyond the predicted findings that dropout students would demonstrate less autonomous motivation and stronger amotivation, other interesting, exploratory findings arose. There were significant differences between the two groups’ types of motivation, and also differences regarding the age at which lessons began, ethnicity, practice amounts, parental involvement, and rewards for achievement. Recommendations are made for future research and for student retention strategies.
Title: Parting Ways With Piano Lessons: Comparing Motivation Between Continuing and Dropout Piano Students
Description:
Abstract Piano teachers believe that dropping out of piano lessons before reaching a moderate mastery of the instrument is a common problem among students.
We used self-determination theory (Deci & Ryan, 1985) to measure the motivation of dropout students and to discover if amotivation and controlled motivation are related to attrition from private piano lessons.
Using the Survey of Musical Interests, 55 former piano students who had quit lessons completed a questionnaire with Likert scale, multiple choice, and open-ended questions, and their parents filled out a complementary questionnaire.
The dropout students took lessons for approximately 5 years and stopped lessons in the preteen years, which supports a common experience of studio teachers.
These participants were compared to 260 students who were still involved with piano lessons.
Beyond the predicted findings that dropout students would demonstrate less autonomous motivation and stronger amotivation, other interesting, exploratory findings arose.
There were significant differences between the two groups’ types of motivation, and also differences regarding the age at which lessons began, ethnicity, practice amounts, parental involvement, and rewards for achievement.
Recommendations are made for future research and for student retention strategies.

Related Results

Views of Piano Teachers Regarding the Piano Education Process in Amateur Music Education Institutions
Views of Piano Teachers Regarding the Piano Education Process in Amateur Music Education Institutions
This research aims to evaluate the piano education process in private education institutions in Amateur Music Education that provide private music education in line with the opinio...
The Piano Music
The Piano Music
With the exceptions of Bartók and Messiaen, modern European composers have not shown a particular preference for the piano as the natural vehicle for major works. It has been left ...
Financial literacy of students of technical universities: analysis of opinions and development prospects
Financial literacy of students of technical universities: analysis of opinions and development prospects
Introduction. The development of students' ability to make informed and responsible decisions in the field of personal finance is an urgent problem. Young people must have the appr...
Memorization of Piano Music: A Challenge for Chinese Piano Students
Memorization of Piano Music: A Challenge for Chinese Piano Students
<p class="a">As many Chinese piano students have encountered various kinds of problem to memorize the music, which negatively influences their musical development, this paper...
What is Approach Motivation?
What is Approach Motivation?
We discuss some research that has examined approach motivational urges and how this research clarifies the definition of approach motivation. Our research and that of others have r...

Back to Top