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Tabibi’s prelude

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Usually, introductions that written by the author, sometimes by others, are written in the introduction of divans. Factors that were became main reasons of the creation of divans, information that were based on the structure, humility and request of the author were described. Tabibi also wrote an introduction in the book “Munisu-l-Ushshaq” in this context. The text of this prelude has not yet been fully translated. In general, preludes are important in determining the poet’s literary- aesthetic world.Tabibi’s book “Munisu-l-Ushshaq” is very large, and it includes ghazal, mustazad, murabba’, mukhammas, musaddas, musabba’, musam-man, mutassa’, muashshar, masnavi-saqinama, rubai, qasida, shiru shakar of our classical literature. This article provides thoughts about the text of the debocha for Tabibi’s divans and given the whole translation of the prelude.
Alisher Navo'i Tashkent State University of Uzbek Language and Literature
Title: Tabibi’s prelude
Description:
Usually, introductions that written by the author, sometimes by others, are written in the introduction of divans.
Factors that were became main reasons of the creation of divans, information that were based on the structure, humility and request of the author were described.
Tabibi also wrote an introduction in the book “Munisu-l-Ushshaq” in this context.
The text of this prelude has not yet been fully translated.
In general, preludes are important in determining the poet’s literary- aesthetic world.
Tabibi’s book “Munisu-l-Ushshaq” is very large, and it includes ghazal, mustazad, murabba’, mukhammas, musaddas, musabba’, musam-man, mutassa’, muashshar, masnavi-saqinama, rubai, qasida, shiru shakar of our classical literature.
This article provides thoughts about the text of the debocha for Tabibi’s divans and given the whole translation of the prelude.

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