Javascript must be enabled to continue!
The Presence of Poetry, the Poetry of Presence
View through CrossRef
The composition and performance of Arabic Sufi poetry is the most characteristic artistic tradition of West African Sufi communities, and yet this tradition has yet to receive the scholarly attention it deserves. In this article, I sketch an outline of a theory of Sufi poetics, and then apply this theory to interpret a performance of a popular Arabic poem of the Senegalese Shaykh Ibrahim Niasse (d. 1975), founder of the most popular branch of the Tijāniyya in West Africa.
Title: The Presence of Poetry, the Poetry of Presence
Description:
The composition and performance of Arabic Sufi poetry is the most characteristic artistic tradition of West African Sufi communities, and yet this tradition has yet to receive the scholarly attention it deserves.
In this article, I sketch an outline of a theory of Sufi poetics, and then apply this theory to interpret a performance of a popular Arabic poem of the Senegalese Shaykh Ibrahim Niasse (d.
1975), founder of the most popular branch of the Tijāniyya in West Africa.
Related Results
The Semiotics of New Era Poetry: Estonian Instagram and Rap Poetry
The Semiotics of New Era Poetry: Estonian Instagram and Rap Poetry
Mikhail Gasparov concludes his monograph “A History of European Versification” with the recognition that in the development of particular verse forms in each tradition of poetry, t...
Appropriated Poetry
Appropriated Poetry
The development of transcription poems is presented along with the authors’ borrowing from found poetry to create the research poetry form archival or artifact poetry. Archival poe...
BEAUTY AND UGLINESS IN THE POETRY COLLECTION MAULĪDAL-DIBA' I BY ABDURRAHMAN AL-DIBA'I: A SIEGELIAN AESTHETICS PERSPECTIVE
BEAUTY AND UGLINESS IN THE POETRY COLLECTION MAULĪDAL-DIBA' I BY ABDURRAHMAN AL-DIBA'I: A SIEGELIAN AESTHETICS PERSPECTIVE
Purpose: The formal objective of this study is to explore the beauty and ugliness contained within the poetry collection Maulīd Al-Diba'i, an Arabic-language text that conveys mess...
Persian Poetry, World Poetry, and Translatability
Persian Poetry, World Poetry, and Translatability
Although Goethe, who first propounded Weltliteratur, was inspired by Persian poetry, recent theorists of world literature have largely ignored it. Persian poetry thrived for hundre...
Öyvind Fahlström’s Bord: Visual devices in poetry
Öyvind Fahlström’s Bord: Visual devices in poetry
The poet and artist Öyvind Fahlström (1928–1976) was the leader of the Scandinavian avant-garde during the fifties and the beginning of the sixties. He wrote his only collection of...
The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity
The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity
AbstractThis article takes seriously Edward Sapir’s observation about poetry as an example of linguistic relativity. Taking my cue from Dwight Bolinger’s “word affinities,” this ar...
Short of nothing: expanding horizons of ‘scarcity’ in the poetry of Peter Larkin
Short of nothing: expanding horizons of ‘scarcity’ in the poetry of Peter Larkin
'Scarcity' is a key term in the poetry of Peter Larkin. It first makes its appearance in two poems from 1992, in which 'scarcity' is primarily understood either ecologically or as ...
'A Hostile Environment': Failure of Composition in the Poetry of Anna Mendelssohn.
'A Hostile Environment': Failure of Composition in the Poetry of Anna Mendelssohn.
This essay examines the effects of incompleteness in Anna Mendelssohn’s poetry, when incompleteness constitutes a requirement to take the thought of the poem further, beyond and ou...