Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The unruly arts of ethnographic refusal: power, politics, performativity

View through CrossRef
Refusal remains a core concern in processes of research across the sciences. Drawing on previous anthropological theorisations, this paper contemplates on the manifold ‘arts’ of refusal during ethnographic research praxis, drawing on diverse thematic experiences and contexts across coastal India, Malaysia, and Uganda. We argue for a concerted engagement with refusal as more than an act of withholding co-operation and as an expression of resistance. While recognizing refusal as a locally situated and historically contingent sensibility, we ask in what other ways might the more generative qualities of refusal be explored, paying particular attention to the performative nature of refusal itself that may entrench as much as reverse power differentials in the ‘field’. Drawing on decolonial and post-development epistemologies and diverse experiences as scholars situated and working across different geographies and disciplines, we explore the many entanglements, articulations, and enactments that remain ubiquitous in everyday ethnographic research praxis through several thematic angles. These include the negotiation of uneven (and often violent) forms of research collaboration and co-optation, the enactment of benevolent sexism as an ‘ethics of care’, and embodied practices such as silence(-ing), together with play and humour in participants’ critiques of scientific truth-telling. While illustrating subtler manifestations of refusal across ethnographic research-based encounters, we also contemplate pedagogical practices of un/learning (to ‘read’) and to teach the arts of identifying and productively working with the many appearances of refusal – both manifest and less visible. 
Title: The unruly arts of ethnographic refusal: power, politics, performativity
Description:
Refusal remains a core concern in processes of research across the sciences.
Drawing on previous anthropological theorisations, this paper contemplates on the manifold ‘arts’ of refusal during ethnographic research praxis, drawing on diverse thematic experiences and contexts across coastal India, Malaysia, and Uganda.
We argue for a concerted engagement with refusal as more than an act of withholding co-operation and as an expression of resistance.
While recognizing refusal as a locally situated and historically contingent sensibility, we ask in what other ways might the more generative qualities of refusal be explored, paying particular attention to the performative nature of refusal itself that may entrench as much as reverse power differentials in the ‘field’.
Drawing on decolonial and post-development epistemologies and diverse experiences as scholars situated and working across different geographies and disciplines, we explore the many entanglements, articulations, and enactments that remain ubiquitous in everyday ethnographic research praxis through several thematic angles.
These include the negotiation of uneven (and often violent) forms of research collaboration and co-optation, the enactment of benevolent sexism as an ‘ethics of care’, and embodied practices such as silence(-ing), together with play and humour in participants’ critiques of scientific truth-telling.
While illustrating subtler manifestations of refusal across ethnographic research-based encounters, we also contemplate pedagogical practices of un/learning (to ‘read’) and to teach the arts of identifying and productively working with the many appearances of refusal – both manifest and less visible.
 .

Related Results

Measurable Progress? Teaching Artsworkers to Assess and Articulate the Impact of Their Work
Measurable Progress? Teaching Artsworkers to Assess and Articulate the Impact of Their Work
The National Cultural Policy Discussion Paper—drafted to assist the Australian Government in developing the first national Cultural Policy since Creative Nation nearly two decades ...
Abstract P2-14-14: Adjuvant chemotherapy treatment refusal not associated with increased mortality
Abstract P2-14-14: Adjuvant chemotherapy treatment refusal not associated with increased mortality
Abstract Background: Chemotherapy treatment refusal is a constant over time in oncology practice. Methods: We reviewed patients in our registry cohort...
Women in Australian Politics: Maintaining the Rage against the Political Machine
Women in Australian Politics: Maintaining the Rage against the Political Machine
Women in federal politics are under-represented today and always have been. At no time in the history of the federal parliament have women achieved equal representation with men. T...
REFUSAL APPLIED IN "ALADDIN MOVIE"
REFUSAL APPLIED IN "ALADDIN MOVIE"
This descriptive qualitative research discovered to investigate the types of refusal in Aladdin movie. This movie was modified by the folklore Aladdin in the Walt Disney Pictures, ...
Disclosing the Ethnographic Self
Disclosing the Ethnographic Self
We are our own subjects. How our subjectivity becomes entangled in the lives of others is and has always been our topic. (Denzin 27)This article reflects on the process of disclosi...
School refusal and bullying in children with autism spectrum disorder
School refusal and bullying in children with autism spectrum disorder
Abstract Background Few studies have explored school refusal in children with autism spectrum disorder (ASD), despite being considered a serious problem. One of the leading causes ...
Rebooting Roseanne: Feminist Voice across Decades
Rebooting Roseanne: Feminist Voice across Decades
In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016-pr...
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. N...

Back to Top