Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Colosseum

View through CrossRef
The construction of the Flavian Amphitheatre was financed by the Emperor Vespasian in 71–72 ce with the riches from the conquest of Jerusalem and carried out by his son Titus, who inaugurated the building in 80 ce. Domitian (81–96) completed the amphitheatre district, which extended from the Velian Hill to the present Basilica of San Clemente, and included the four barracks (ludi), the infirmary (samiarium), the weapons store (armamentarium), the mortuary (spoliarium), and the barracks of the sailors of the fleet of Misenum (Castra Misenatium) whose task it was to oper­ate the velum, the awning that shaded the spectators from the sun. The building became known as the Colosseum from a colossal statue that stood near it. The amphitheatre was in use as such until 523 ce, when it is recorded that it was the scene of the last animal hunt, organized by Anicius Maximus at the beginning of his consulate. The Colosseum is the largest amphitheatre in the Roman world, an oval 187.75 × 155.60 m (205.32 × 170.16 yds). The sand covered arena measures 77.50 × 45.60 m (84.75 × 49.68 yds.). The tiered seating (cavea) ran around the perimeter, holding between 40,000 and 55,000 spectators and divided into five horizontal sectors (maeniana) separated by aisles. The travertine facade rose 48.5 m (53 yds.) in three superimposed tiers of arcades and an attic storey. Each tier of arcades was decorated by the addition of applied Classical orders of engaged semicolumns: Tuscan (Doric columns with bases) Ionic, and Corinthian. The lofty attic storey had applied Corinthian pilasters.
Title: Colosseum
Description:
The construction of the Flavian Amphitheatre was financed by the Emperor Vespasian in 71–72 ce with the riches from the conquest of Jerusalem and carried out by his son Titus, who inaugurated the building in 80 ce.
Domitian (81–96) completed the amphitheatre district, which extended from the Velian Hill to the present Basilica of San Clemente, and included the four barracks (ludi), the infirmary (samiarium), the weapons store (armamentarium), the mortuary (spoliarium), and the barracks of the sailors of the fleet of Misenum (Castra Misenatium) whose task it was to oper­ate the velum, the awning that shaded the spectators from the sun.
The building became known as the Colosseum from a colossal statue that stood near it.
The amphitheatre was in use as such until 523 ce, when it is recorded that it was the scene of the last animal hunt, organized by Anicius Maximus at the beginning of his consulate.
The Colosseum is the largest amphitheatre in the Roman world, an oval 187.
75 × 155.
60 m (205.
32 × 170.
16 yds).
The sand covered arena measures 77.
50 × 45.
60 m (84.
75 × 49.
68 yds.
).
The tiered seating (cavea) ran around the perimeter, holding between 40,000 and 55,000 spectators and divided into five horizontal sectors (maeniana) separated by aisles.
The travertine facade rose 48.
5 m (53 yds.
) in three superimposed tiers of arcades and an attic storey.
Each tier of arcades was decorated by the addition of applied Classical orders of engaged semicolumns: Tuscan (Doric columns with bases) Ionic, and Corinthian.
The lofty attic storey had applied Corinthian pilasters.

Related Results

Martial, Latin poet
Martial, Latin poet
Martial (Marcus Valerius Martialis, born c. 38–41 ce in Bilbilis, Spain, died c. 101–104) was a Latin poet who came to Rome around 64 ce. His early works were linked to specific oc...
SPARTACUS VE III. KÖLE İSYANI
SPARTACUS VE III. KÖLE İSYANI
Gladyatör oyunları Romalılar için çok önemliydi. Öyle ki Roma’da bu oyunları düzenlemek için senatus tarafından atanmış memurlar bile bulunmaktaydı. Gladyatör oyunları için Roma sı...
Cinecittà as a pillar of cultural entrepreneurship: From the golden age of Italian cinema to the sustainable development of Rome
Cinecittà as a pillar of cultural entrepreneurship: From the golden age of Italian cinema to the sustainable development of Rome
Cinecittà, known as the "City of Cinema," is one of the world’s most important film production centers and a fundamental factor in the cultural and economic development of Rome. Th...
Preface Special issue: Monitoring and Seismic Characterization of Archaeological Sites and Structures
Preface Special issue: Monitoring and Seismic Characterization of Archaeological Sites and Structures
 The preservation of cultural heritage is a crucial issue in areas prone to seismic and other natural hazards. The major challenge in pursuing such an important objective is relate...
THE ITALIAN GEOGRAPHICAL SOCIETY AND EUGEO AS HUBS OF GEOGRAPHICAL RESEARCH AND THOUGH
THE ITALIAN GEOGRAPHICAL SOCIETY AND EUGEO AS HUBS OF GEOGRAPHICAL RESEARCH AND THOUGH
The Italian Geographical Society (SGI) (http://www.societageografica.it/) was founded in Florence in 1867—at that time the Capital of Italy. Over the last 100 years, and still toda...
The Curse of Historic Resources
The Curse of Historic Resources
There is a well-documented “natural resource curse” whereby the presence of immobile natural resources leads to weaker economic performance and a deterioration in the quality of ec...
The Cambridge Companion to Ancient Rome
The Cambridge Companion to Ancient Rome
Rome was the largest city in the ancient world. As the capital of the Roman Empire, it was clearly an exceptional city in terms of size, diversity and complexity. While the Colosse...
INFRASTRUCTURING HERITAGE. NEW PARADIGMS FOR SUBWAY STATIONS IN THE ARCHAEOLOGICAL CENTER OF ROME
INFRASTRUCTURING HERITAGE. NEW PARADIGMS FOR SUBWAY STATIONS IN THE ARCHAEOLOGICAL CENTER OF ROME
With the design of the San Giovanni station in a museological and archaeological key, a new design paradigm has been defined for the new stations of Line C, currently under constru...

Back to Top