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Epilogue
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Abstract
In the epilogue, the authors offer brief reflections on writing this book. They discuss the historical context in which they wrote the book starting with the protests in Ferguson Missouri following the police killing of Michael Brown. They comment on their reaction to the selection of a sculpture titled “Freedman” by John Quincy Adams Ward for the cover art, and they relate this art work to Samson traditions. In addition, they reiterate the long history of Samson’s use in addressing issues of race and racism and share their thoughts on the historic and ongoing relevance of Black Samson in America.
Title: Epilogue
Description:
Abstract
In the epilogue, the authors offer brief reflections on writing this book.
They discuss the historical context in which they wrote the book starting with the protests in Ferguson Missouri following the police killing of Michael Brown.
They comment on their reaction to the selection of a sculpture titled “Freedman” by John Quincy Adams Ward for the cover art, and they relate this art work to Samson traditions.
In addition, they reiterate the long history of Samson’s use in addressing issues of race and racism and share their thoughts on the historic and ongoing relevance of Black Samson in America.
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