Javascript must be enabled to continue!
Visual Representations of Black Samson
View through CrossRef
Abstract
Since the mid-nineteenth century, visual images of Black Samson have developed in editorial cartoons, film, paintings, comic books, graphic novels, and television alongside traditions about him in American literature and music. Similar to his literary representations, some artists from different racial backgrounds have created Black Samson figures that address various social and political controversies in the United States. From his nineteenth-century appearance in Harper’s Weekly to his twenty-first-century appearance on the History Channel, visual representations of Black Samson in popular culture have continued to shape Black Samson into a racially polarizing American icon. In this chapter, we trace the use of Black Samson figures in the visual arts from the mid-nineteenth century to the present.
Title: Visual Representations of Black Samson
Description:
Abstract
Since the mid-nineteenth century, visual images of Black Samson have developed in editorial cartoons, film, paintings, comic books, graphic novels, and television alongside traditions about him in American literature and music.
Similar to his literary representations, some artists from different racial backgrounds have created Black Samson figures that address various social and political controversies in the United States.
From his nineteenth-century appearance in Harper’s Weekly to his twenty-first-century appearance on the History Channel, visual representations of Black Samson in popular culture have continued to shape Black Samson into a racially polarizing American icon.
In this chapter, we trace the use of Black Samson figures in the visual arts from the mid-nineteenth century to the present.
Related Results
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. N...
On Flores Island, do "ape-men" still exist? https://www.sapiens.org/biology/flores-island-ape-men/
On Flores Island, do "ape-men" still exist? https://www.sapiens.org/biology/flores-island-ape-men/
<span style="font-size:11pt"><span style="background:#f9f9f4"><span style="line-height:normal"><span style="font-family:Calibri,sans-serif"><b><spa...
The Black Mass as Play: Dennis Wheatley's The Devil Rides Out
The Black Mass as Play: Dennis Wheatley's The Devil Rides Out
Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts c...
Who Cares for Black Women in Health and Health Care
Who Cares for Black Women in Health and Health Care
Black women are often at the center of health disparities research. Black women face sociological, psychological, environmental, and political barriers to health and health care th...
Black Samson of Brandywine
Black Samson of Brandywine
Abstract
Henry Wadsworth Longfellow was not the only writer to popularize a Black Samson figure. Moving away from treating Samson as an abolitionist hero, other writ...
Building on the promises
Building on the promises
This dissertation examines how Black Iowans and Kansans fought for the right to serve as soldiers during the Civil War and used their military service to claim equal citizenship ri...
Meta-Representations as Representations of Processes
Meta-Representations as Representations of Processes
In this study, we explore how the notion of meta-representations in Higher-Order Theories (HOT) of consciousness can be implemented in computational models. HOT suggests that consc...
Black Wax(ing): On Gil Scott-Heron and the Walking Interlude
Black Wax(ing): On Gil Scott-Heron and the Walking Interlude
The film opens in an unidentified wax museum. The camera pans from right to left, zooming in on key Black historical figures who have been memorialized in wax. W.E.B. Du Bois, Mari...

