Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Danny

View through CrossRef
Distributed by Janson Media, 88 Semmons Road, Harrington Park, NJ 07640; 201-784-8488Produced by Wombat ProductionsDirector n/a1977, DVD, color, 90 min. This utterly charming film is a gentle and unassuming look at the relationship between a young girl and her pony. Although many movies have been produced around this classic theme, this one is different in its attention to the details of horse and country life and utter lack of Hollywood glamour. 12 year old Janie Neelie is a horse lover who works at upscale Longvue farms, helping to train and care for the horses. The owner’s spoiled adolescent daughter discards her newest pony Danny when he becomes injured and through the intervention of a mysterious benefactor, Danny is given to Janie. Despite her mother’s resistance to her relationship with horses in general and the tricks played by the jealous daughter, Janie manages to nurse Danny back to health and together they win the main event in the county fair. Stables in the gently rolling countryside of Vermont and Connecticut provide a backdrop for an intimate and fascinating look at the social and working life of a rural community and the details of the care and training of show ponies. What makes this film different is that nothing in it has been glamorized. Wardrobe and makeup has been kept to a minimum. The corrals and stables are filmed without editing, so that you see the dust in the corrals, the fading paint on the stables and the sweat on the horses and the humans. The human relationships are treated honestly as well. Janie’s mother does not want her daughter to become involved with the horsy set, fearing that her daughter will be judged by the cut of her clothes and her bloodlines. Janie wants to be an independent woman and train horses like her boss, Pat. The complex issues around human social strata and the snobbery that goes with them have never even registered with her, although we see many wry examples of these issues throughout the film. We see how the “only a first will do” attitude of the owner places so much pressure on his daughter that she mistreats Danny. An unemployed carpenter who drinks too much and abuses his family is given a job by Janie’s mother’s boyfriend. Janie dislikes the boyfriend at first because she does not want him to replace her deceased father, but warms to him in the end when she realizes that he is the anonymous benefactor who enabled her to become Danny’s owner. What makes Danny so endearing is that these admittedly stock situations are treated gently and resolved without high drama, just as they often are in real life. Rather than moral judgments, we are treated to a look at real people resolving real human problems. This is a delightful family drama, which should appeal to both children and adults, especially but not exclusively to horse lovers. It is highly recommended for kindergarten through junior high and general adult collections in public libraries. Awards Bronze Chris Award, Columbia International Film Festival
Title: Danny
Description:
Distributed by Janson Media, 88 Semmons Road, Harrington Park, NJ 07640; 201-784-8488Produced by Wombat ProductionsDirector n/a1977, DVD, color, 90 min.
This utterly charming film is a gentle and unassuming look at the relationship between a young girl and her pony.
Although many movies have been produced around this classic theme, this one is different in its attention to the details of horse and country life and utter lack of Hollywood glamour.
12 year old Janie Neelie is a horse lover who works at upscale Longvue farms, helping to train and care for the horses.
The owner’s spoiled adolescent daughter discards her newest pony Danny when he becomes injured and through the intervention of a mysterious benefactor, Danny is given to Janie.
Despite her mother’s resistance to her relationship with horses in general and the tricks played by the jealous daughter, Janie manages to nurse Danny back to health and together they win the main event in the county fair.
Stables in the gently rolling countryside of Vermont and Connecticut provide a backdrop for an intimate and fascinating look at the social and working life of a rural community and the details of the care and training of show ponies.
What makes this film different is that nothing in it has been glamorized.
Wardrobe and makeup has been kept to a minimum.
The corrals and stables are filmed without editing, so that you see the dust in the corrals, the fading paint on the stables and the sweat on the horses and the humans.
The human relationships are treated honestly as well.
Janie’s mother does not want her daughter to become involved with the horsy set, fearing that her daughter will be judged by the cut of her clothes and her bloodlines.
Janie wants to be an independent woman and train horses like her boss, Pat.
The complex issues around human social strata and the snobbery that goes with them have never even registered with her, although we see many wry examples of these issues throughout the film.
We see how the “only a first will do” attitude of the owner places so much pressure on his daughter that she mistreats Danny.
An unemployed carpenter who drinks too much and abuses his family is given a job by Janie’s mother’s boyfriend.
Janie dislikes the boyfriend at first because she does not want him to replace her deceased father, but warms to him in the end when she realizes that he is the anonymous benefactor who enabled her to become Danny’s owner.
What makes Danny so endearing is that these admittedly stock situations are treated gently and resolved without high drama, just as they often are in real life.
Rather than moral judgments, we are treated to a look at real people resolving real human problems.
This is a delightful family drama, which should appeal to both children and adults, especially but not exclusively to horse lovers.
It is highly recommended for kindergarten through junior high and general adult collections in public libraries.
Awards Bronze Chris Award, Columbia International Film Festival.

Related Results

Always Danny
Always Danny
Distributed by New Day Films, 350 North Water Street Unit 1-12, Newburgh, NY 12550; 888-367-9154Produced by Tomer Keysar and Cheryl FurjanicDirected by Tomer Keysar2024, Streaming,...
The Last Days of Danny Barker
The Last Days of Danny Barker
Danny Barker was a musician, writer, and storyteller who reveled in narration: written, sung, or spoken. He grew up in a storied family of New Orleans music. Four of Danny’s uncles...
‘All my Relations’ in Ruby Slipperjack’s Silent Words (1992)
‘All my Relations’ in Ruby Slipperjack’s Silent Words (1992)
This presentation examines the extent of which Nature in Ruby Slipperjack’s Silent Words (1992) serves to reconnect 11-year-old protagonist, Danny, to his Anishinaabe identity. Whe...
The Language of Difference: Saving Danny as a Neurodiverse Narrative
The Language of Difference: Saving Danny as a Neurodiverse Narrative
To witness a neurodiverse narrative is to enter a world where silence speaks, gestures become language, and difference refuses to be contained within the borders of normal. Such te...
Interview with Danny Hillis
Interview with Danny Hillis
Dr. Danny Hillis is cofounder, chairman and Chief Technology Officer of Applied Minds. A former vice president of research and development at The Walt Disney Company and the first ...
Mindy Calling: Size, Beauty, Race in The Mindy Project
Mindy Calling: Size, Beauty, Race in The Mindy Project
When characters in the Fox Television sitcom The Mindy Project call Mindy Lahiri fat, Mindy sees it as a case of misidentification. She reminds the character that she is a “petite ...
Balqis restaurant: how to move on?
Balqis restaurant: how to move on?
Subject area This case can be used in marketing management as well as consumer behaviour courses. Study level/applicability This case is suitable to use in advanced undergraduate...

Back to Top