Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Protection of Fictional Characters

View through CrossRef
The central character of literature has more than often been a fictional character around which the entire work revolved. The author treats and portrays the character as per his own preferences and demand of the work to ardently ascertain the thought which he conceived and wished to disseminate. These thoughts have no limitations and the character which is conceived by the author reflects the ideas of the author. This fictional character becomes analogous to a real living character having all the traits and mannerism of a real person and these fictional characters may not only be humans but they may be non-humans or animals. There are numerous such fictional characters which have become so popular that the element of fiction in its personality has been long way given with and it has assumed the position of a real human in the society. People sometime begin to believe them to be real humans and tend to identify themselves with such characters. The popularity of such fictional characters establishes its marketability and thus it assumes characteristics of a property. Once the element of profitability creeps in debate over its ownership and protection begins. In this paper an attempt is made to discuss fictional characters, their creation, ownership, and protection if any under the Indian copyright laws.
Elsevier BV
Title: The Protection of Fictional Characters
Description:
The central character of literature has more than often been a fictional character around which the entire work revolved.
The author treats and portrays the character as per his own preferences and demand of the work to ardently ascertain the thought which he conceived and wished to disseminate.
These thoughts have no limitations and the character which is conceived by the author reflects the ideas of the author.
This fictional character becomes analogous to a real living character having all the traits and mannerism of a real person and these fictional characters may not only be humans but they may be non-humans or animals.
There are numerous such fictional characters which have become so popular that the element of fiction in its personality has been long way given with and it has assumed the position of a real human in the society.
People sometime begin to believe them to be real humans and tend to identify themselves with such characters.
The popularity of such fictional characters establishes its marketability and thus it assumes characteristics of a property.
Once the element of profitability creeps in debate over its ownership and protection begins.
In this paper an attempt is made to discuss fictional characters, their creation, ownership, and protection if any under the Indian copyright laws.

Related Results

Actors/characters (Fiction)
Actors/characters (Fiction)
A crucial variable in the analysis of fictional entertainment formats is the actor/character. The actors/characters that are analyzed vary according to the research interest (e.g.,...
Apparent Generalisations about Fictional Characters
Apparent Generalisations about Fictional Characters
AbstractThis essay will be concerned with an evaluation, modification, and critique of van Inwagen’s famous argument for the existence of fictional characters. In the first section...
Disabled Characters in Literature : An Exploration
Disabled Characters in Literature : An Exploration
Literature has very often been enriched with disabled characters having multidimensional forms and fashions. Literature picks various characters; some possess superhuman qualities ...
Fictional entities
Fictional entities
By ‘fictional entities’, philosophers principally mean those entities originating in and defined by myths, legends, fairy tales, novels, dramas and other works of fiction. In this ...
Amie Thomasson’s and Miguel de Unamuno’s Artifactual Abstractionism: A Comparative Study
Amie Thomasson’s and Miguel de Unamuno’s Artifactual Abstractionism: A Comparative Study
In the paper, a question of the ontological status of fictional characters is presented from the point of view of artifactual abstractionism. Artifactual abstractionism is Amie Tho...
Fictional Names and Co-Identification
Fictional Names and Co-Identification
This paper provides an account of co-identification with fictional names, the way in which a fictional name can be used to talk about the same fictional character on disparate occa...
Givi Margvelashvili's “The Kantakt, from the Reading-Life Experiences of a City Writer” as a Metafictional Novel
Givi Margvelashvili's “The Kantakt, from the Reading-Life Experiences of a City Writer” as a Metafictional Novel
Each author happily writes about himself, about the difficulties encountered in writing, about literature, - we read in Roland Duhamel's book “The Poet in the Mirror: About Metalit...
Political topics (Fiction)
Political topics (Fiction)
The variable examines which political topics are prevalent in fictional entertainment. Studies differentiate either between the two categories political and sociopolitical issues (...

Back to Top