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A Thing About Machines: Eça de Queirós's Technological Twilight Zone
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By reconstructing the acts and voices of technological artifacts in A cidade e as serras (1901), this paper outlines what I call Eça de Queirós’s technological “twilight zone,” where machines are granted literary citizenship, and human interlocutors are forced to reevaluate who and what counts as humanity and conversation. I argue that the unresponsiveness of technological artifacts to the human voice in A cidade e as serras reveals a process of destabilization of power hierarchies and vocal anthropocentrism. Eça neither demonizes nor glorifies machines; rather he elaborates ways in which productive coexistence and communication can remain a prime objective. In A cidade e as serras, Eça parses out anxieties about technology and modernity in subtle and balanced ways that can shed new light on enduring questions about humanmachine interactions in our era of technological dependence.
Title: A Thing About Machines: Eça de Queirós's Technological Twilight Zone
Description:
By reconstructing the acts and voices of technological artifacts in A cidade e as serras (1901), this paper outlines what I call Eça de Queirós’s technological “twilight zone,” where machines are granted literary citizenship, and human interlocutors are forced to reevaluate who and what counts as humanity and conversation.
I argue that the unresponsiveness of technological artifacts to the human voice in A cidade e as serras reveals a process of destabilization of power hierarchies and vocal anthropocentrism.
Eça neither demonizes nor glorifies machines; rather he elaborates ways in which productive coexistence and communication can remain a prime objective.
In A cidade e as serras, Eça parses out anxieties about technology and modernity in subtle and balanced ways that can shed new light on enduring questions about humanmachine interactions in our era of technological dependence.
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