Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Ochre Use in the Middle Stone Age at Sibudu, South Africa: Grinding, Rubbing, Scoring and Engraving

View through CrossRef
Many Middle Stone Age (MSA) sites have evidence of the regular collection and use of ochre. Sibudu (KwaZulu- Natal, South Africa) has a large MSA ochre assemblage of over 9000 pieces from layers dating between ~77 ka and ~38 ka. There are 682 pieces with signs of use. All usetraces were examined and activity categories were defined based on published ochre experiments. The most frequent markings on ochre pieces are grinding striations that are smoothed by subsequent rubbing. Grinding and rubbing also occur independently on many pieces. Scored pieces are rare, but are more common in the pre-Still Bay (~77 ka) industry than elsewhere in the sequence. Some scored pieces may represent deliberate engravings. Markings acquired during powder-production are most numerous in the assemblage. Powder was mostly produced from bright-red pieces, but scoring was mainly performed on brown-red pieces. Pieces with mica inclusions are not common, but were favoured for powder production. Ochre powder was used as an aggregate in hafting adhesives, but other possible applications are as paint or as a substance to aid hide tanning.
Title: Ochre Use in the Middle Stone Age at Sibudu, South Africa: Grinding, Rubbing, Scoring and Engraving
Description:
Many Middle Stone Age (MSA) sites have evidence of the regular collection and use of ochre.
Sibudu (KwaZulu- Natal, South Africa) has a large MSA ochre assemblage of over 9000 pieces from layers dating between ~77 ka and ~38 ka.
There are 682 pieces with signs of use.
All usetraces were examined and activity categories were defined based on published ochre experiments.
The most frequent markings on ochre pieces are grinding striations that are smoothed by subsequent rubbing.
Grinding and rubbing also occur independently on many pieces.
Scored pieces are rare, but are more common in the pre-Still Bay (~77 ka) industry than elsewhere in the sequence.
Some scored pieces may represent deliberate engravings.
Markings acquired during powder-production are most numerous in the assemblage.
Powder was mostly produced from bright-red pieces, but scoring was mainly performed on brown-red pieces.
Pieces with mica inclusions are not common, but were favoured for powder production.
Ochre powder was used as an aggregate in hafting adhesives, but other possible applications are as paint or as a substance to aid hide tanning.

Related Results

Images of ‘Africa’ in China–Africa cooperation
Images of ‘Africa’ in China–Africa cooperation
The question of who represents Africa and how Africa is represented to global audiences continues to be hotly debated in academic publications and in the media. The majority of the...
Gravel Packing Sand Quality-A Quantitative Study
Gravel Packing Sand Quality-A Quantitative Study
Summary This paper discusses the results of a study of gravel packing sand quality. It shows that the amount of fines packing sand quality. It shows that the amou...
The Stone Age in Cyprus
The Stone Age in Cyprus
Rich remains from all periods of the Copper and Bronze Age have been found in Cyprus ever since archaeological excavations began there, but hitherto there has been no evidence of a...
India: Focus Africa?
India: Focus Africa?
The article touches upon India’s policy towards Africa. Since the Roman era Africa has always caught the attention of developed countries, as the continent was an enormous field fo...
Opportunity for increasing the soil quality of non-arable and depleted soils in South Africa: A review
Opportunity for increasing the soil quality of non-arable and depleted soils in South Africa: A review
Abstract The improvement of food security strategies on highly degraded soils has become a major challenge for South Africa, as the need to secure food sources for the grow...
Automating creativity assessment with SemDis: An open platform for computing semantic distance
Automating creativity assessment with SemDis: An open platform for computing semantic distance
AbstractCreativity research requires assessing the quality of ideas and products. In practice, conducting creativity research often involves asking several human raters to judge pa...
Islamic Africa: A Select, Annotated Webography
Islamic Africa: A Select, Annotated Webography
In this brief essay and webography, I indicate ways to pursue the themes of Islamic Africa on the Web. Digital and online libraries about Islam and West Africa, and more broadly ab...

Back to Top