Javascript must be enabled to continue!
“Symbols in Silence”: Edward Gordon Craig and the Engraving of Wordless Drama
View through CrossRef
In his bookOn the Art of the Theatre(1911), Edward Gordon Craig recounted seeing a sign on the stage door at the Munich Künstlertheater that momentarily made him think he had discovered “heaven.” “Sprechen Streng Verboten” (speaking strictly forbidden), it read. So eager was he to find comrades who shared his radical vision of a wordless drama that Craig had misread an ordinary request for backstage silence as a ban ononstagespeech. Although he sadly admitted that the German theatre was not as advanced as he had hoped, Craig insisted that the sign contained the “clue” to a modern theatrical renaissance—one he believed himself fully prepared to begin, if only someone else would provide the funds.
Title: “Symbols in Silence”: Edward Gordon Craig and the Engraving of Wordless Drama
Description:
In his bookOn the Art of the Theatre(1911), Edward Gordon Craig recounted seeing a sign on the stage door at the Munich Künstlertheater that momentarily made him think he had discovered “heaven.
” “Sprechen Streng Verboten” (speaking strictly forbidden), it read.
So eager was he to find comrades who shared his radical vision of a wordless drama that Craig had misread an ordinary request for backstage silence as a ban ononstagespeech.
Although he sadly admitted that the German theatre was not as advanced as he had hoped, Craig insisted that the sign contained the “clue” to a modern theatrical renaissance—one he believed himself fully prepared to begin, if only someone else would provide the funds.
Related Results
A Bodily Haunting
A Bodily Haunting
Abstract
The woman’s wordless scream in Not I and Happy Days acts as a spectral-yet-embodied rendering of unspoken and apparently unspeakable sexual trauma. If trauma symptomol...
Modern Drama Conference: Modern Language Association
Modern Drama Conference: Modern Language Association
The fourth annual Modern Drama Conference was held in conjunction with the Modern Language Association meetings in Washington, D. C. on December 28, 1962. Taking his theme from the...
Denmark and the Modern Drama
Denmark and the Modern Drama
THE POSITION OF THE MODERN DRAMA IN DENMARK today suggests a conviction that the drama is a part of the national cultural life which deserves not only encouragement but also subven...
Perspectives on Modern Verse Drama
Perspectives on Modern Verse Drama
INTEREST IN DRAMA has been perennial among poets in every century, although since the eighteenth century there has been an increasing separation between the interests of the stage ...
On the distinction between creation and conservation: a partial defence of continuous creation
On the distinction between creation and conservation: a partial defence of continuous creation
AbstractThe traditional view of divine conservation holds that it is simply a continuation of the initial act of creation. In this essay, I defend the continuous-creation tradition...
Le style c'est l'homme même?
Le style c'est l'homme même?
In our article, we argue, following Nelson Goodman and Arthur Danto, that in contrast to the essentialist conception of authenticity, it is more fertile to consider authentic patte...
The Development of Opera
The Development of Opera
I propose to-night to trace the development of opera in broad outlines, not so much from a musical as from a dramatic point of view. It is my contention that music is capable of he...
The Drama Therapy Decision Tree: Connecting Drama Therapy Interventions to Treatment, Paige Dickinson and Sally Bailey (2021)
The Drama Therapy Decision Tree: Connecting Drama Therapy Interventions to Treatment, Paige Dickinson and Sally Bailey (2021)
Review of: The Drama Therapy Decision Tree: Connecting Drama Therapy Interventions to Treatment, Paige Dickinson and Sally Bailey (2021)Bristol: Intellect Ltd, 272 pp.,ISBN 978-1-7...