Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Catachthonic Romanticism: Buried History, Deep Ruins

View through CrossRef
This article considers Romanticism in terms of racial migration and history, seventeenth-century political theory, Whig cultural identity, legitimacy, and commerce. By examining uses of race, heritage, and region I will explain how antiquarian historical theories are incorporated into developing notions of cultural identity. In particular, this approach adds a temporal dimension to the spatialities of archipelagic thinking: historicizing archipelagic understanding to develop a catachthonic approach that analyses the historicity of historiographical theories of nationality and identity, effectively through a doubled, or subterranean, history.
Edinburgh University Press
Title: Catachthonic Romanticism: Buried History, Deep Ruins
Description:
This article considers Romanticism in terms of racial migration and history, seventeenth-century political theory, Whig cultural identity, legitimacy, and commerce.
By examining uses of race, heritage, and region I will explain how antiquarian historical theories are incorporated into developing notions of cultural identity.
In particular, this approach adds a temporal dimension to the spatialities of archipelagic thinking: historicizing archipelagic understanding to develop a catachthonic approach that analyses the historicity of historiographical theories of nationality and identity, effectively through a doubled, or subterranean, history.

Related Results

Negative romanticism: an exploration of a sense of isolation in Yushij 's Afsaneh
Negative romanticism: an exploration of a sense of isolation in Yushij 's Afsaneh
From its beginning in the academic studies during the later nineteenth century, Romanticism has provoked ongoing debates over the nature of its definition. Nonetheless Morse Peckha...
Strata/Sedimenta/Lamina: In Ruin(s)
Strata/Sedimenta/Lamina: In Ruin(s)
Ruins, their evocations and enigmas, have been a source of fascination since the advent of civilization. Both coordinating and distressing the relations of space and time, ruins ar...
Political Ruins: Gothic Sham Ruins and the '45
Political Ruins: Gothic Sham Ruins and the '45
Many Gothic sham ruins erected after the Jacobite Rebellion of 1745 were produced as attacks on England's Catholic and baronial past. Such ruins were not simply images of picturesq...
Discordant 14C Ages from Buried Tidal-Marsh Soils in the Cascadia Subduction Zone, Southern Oregon Coast
Discordant 14C Ages from Buried Tidal-Marsh Soils in the Cascadia Subduction Zone, Southern Oregon Coast
AbstractPeaty, tidal-marsh soils interbedded with estuarine mud in late Holocene stratigraphic sequences near Coos Bay, Oregon, may have been submerged and buried during great (M &...
Feminising Romantic Sexuality, Perverting Feminine Romanticism
Feminising Romantic Sexuality, Perverting Feminine Romanticism
This essay suggests that scholarship on transgressive sexuality in the field of Romantic studies has lagged behind comparable scholarship in the fields of eighteenth-century and Vi...
Decision-making about the deep geological repository of nuclear waste in the Czech Republic
Decision-making about the deep geological repository of nuclear waste in the Czech Republic
The article describes a sociological problem linked to decision-making about the locality in which a deep geolo- gical repository of spent nuclear fuel and radioactive waste is to ...
Deep Ecology as an Aesthetic Movement
Deep Ecology as an Aesthetic Movement
Many deep ecologists call for a 'new ecological ethic'. If this ethic is meant to be a moral ethic, then deep ecology fails. However if deep ecology is interpreted as an aesthetic ...
Decolonising Deep-Sea Gothic: Perspectives from the Americas
Decolonising Deep-Sea Gothic: Perspectives from the Americas
This article argues that gothic tropes are central to depictions of the ocean across different genres and forms, but there is a colonial and decolonial trend in the use of horror i...

Back to Top