Javascript must be enabled to continue!
The Concerto at Mannheim c. 1740–1780
View through CrossRef
The first necessity in a paper of this nature is to offer some definition of the term ‘Mannheim concerto’. In the past there has been some tendency to view the musicians working at the Palatinate court during the reign of the Elector Karl Theodor from 1743 to 1778, and the last years of his predecessor Karl Phüipp, as a somewhat isolated school. It is clear, however, from the studies of Hugo Riemann and more recently Gerhard Croll, that not only did the orchestral personnel come from many different parts of Europe, including Düsseldorf, Innsbruck, Vienna, Bohemia and Italy, over a period of many years, but that they were also constantly leaving Mannheim for posts elsewhere, or else going on often lengthy concert tours, especially to Paris, which throughout the period remained the great centre of attraction for the Mannheimers in view of its important publishing trade and flourishing concert life, both public and private. In addition, the Elector, who in musical matters was certainly among the more enlightened and generous rulers of his day, was continually sending promising young musicians off on study tours to Italy to complete their musical education. Among such musicians can be counted Christian Cannabich, Johann Ritschel and Georg Joseph Vogler. Thus the musical contacts with the outside world were indeed wide, and it is often impossible to tell whether particular concertos were composed for Mannheim, Paris or elsewhere, especially as the Mannheim court music library has long since totally disappeared, and we now rely on the relatively few printed sources and the manuscript copies to be found distributed throughout Europe. For present purposes the term ‘Mannheim concerto’ will be taken to include all concertos by composers whose activities were centred for a substantial time at the Mannheim court, and will thus include the works of those such as Carl and Anton Stamitz, the sons of Johann, who spent their formative years within the Mannheim circle, even though they both left Mannheim in 1770.
Title: The Concerto at Mannheim c. 1740–1780
Description:
The first necessity in a paper of this nature is to offer some definition of the term ‘Mannheim concerto’.
In the past there has been some tendency to view the musicians working at the Palatinate court during the reign of the Elector Karl Theodor from 1743 to 1778, and the last years of his predecessor Karl Phüipp, as a somewhat isolated school.
It is clear, however, from the studies of Hugo Riemann and more recently Gerhard Croll, that not only did the orchestral personnel come from many different parts of Europe, including Düsseldorf, Innsbruck, Vienna, Bohemia and Italy, over a period of many years, but that they were also constantly leaving Mannheim for posts elsewhere, or else going on often lengthy concert tours, especially to Paris, which throughout the period remained the great centre of attraction for the Mannheimers in view of its important publishing trade and flourishing concert life, both public and private.
In addition, the Elector, who in musical matters was certainly among the more enlightened and generous rulers of his day, was continually sending promising young musicians off on study tours to Italy to complete their musical education.
Among such musicians can be counted Christian Cannabich, Johann Ritschel and Georg Joseph Vogler.
Thus the musical contacts with the outside world were indeed wide, and it is often impossible to tell whether particular concertos were composed for Mannheim, Paris or elsewhere, especially as the Mannheim court music library has long since totally disappeared, and we now rely on the relatively few printed sources and the manuscript copies to be found distributed throughout Europe.
For present purposes the term ‘Mannheim concerto’ will be taken to include all concertos by composers whose activities were centred for a substantial time at the Mannheim court, and will thus include the works of those such as Carl and Anton Stamitz, the sons of Johann, who spent their formative years within the Mannheim circle, even though they both left Mannheim in 1770.
Related Results
Mannheim Curves in 3-Dimensional Euclidean Space
Mannheim Curves in 3-Dimensional Euclidean Space
In this paper, we consider the Mannheim curve and the slant helix together. We called this curve as a Mannheim slant helix shortly. First we calculate the (first) curvature ????(??...
Alfred Schnittke's Concerto Grosso no. 1
Alfred Schnittke's Concerto Grosso no. 1
Abstract
This book provides for the first time an accessible, comprehensive study of Alfred Schnittke’s Concerto Grosso no. 1 (1977). One of Schnittke’s best-known a...
London, Paris, Dublin 1732–1762
London, Paris, Dublin 1732–1762
Abstract
ALTHOUGH they were composed and performed for many years before they were eventually published, the concertos of Op. II and III achieved a wide dissemina...
“MUSICIANS’ PARADISE” IN MANNHEIM DURING THE REIGN OF KARL THEODORE
“MUSICIANS’ PARADISE” IN MANNHEIM DURING THE REIGN OF KARL THEODORE
Statement of the problem. In the history of music culture of the mid-18thcentury, the emergence of Mannheim, as one of the centers of orchestral and ensemble art among the unanimou...
Recitativo
Recitativo
Abstract
The third movement of Alfred Schnittke’s Concerto Grosso no. 1, Recitativo, lays bare the soloists, foregrounding and undercutting them simultaneously. More...
Jean Sibelius's Violin Concerto
Jean Sibelius's Violin Concerto
This book highlights the unique insights that Jean Sibelius’s Violin Concerto in D Minor (op. 47) offers into the composer’s musical imagination, violin virtuosity, and connections...
Rezension von: Stadtarchiv Mannheim, Mannheim in Plakaten
Rezension von: Stadtarchiv Mannheim, Mannheim in Plakaten
Mannheim in Plakaten 1900-1933, (Sonderveröffentlichung des Stadtarchivs Mannheim, Nr. 3.) Mannheim:Südwestdeutsche Verlagsanstalt 1979. 264 S., davon 120 S. vierfarbig....
A pair of kinematically related space curves
A pair of kinematically related space curves
We investigate the relation between two types of space curves, the Mannheim curves and constant-pitch curves and primarily explicate a method of deriving Mannheim curves and consta...

