Javascript must be enabled to continue!
Intersemiotic projection and academic comics: towards a social semiotic framework of multimodal paratactic and hypotactic projection
View through CrossRef
Abstract
Intersemiotic projection is one of the most common configurations in the knowledge construction process of academic comics. Although previous studies address some general features of intersemiotic projection, further research on interdependency relations of intersemiotic projection is needed in order to map out the whole system. This study, based on the social-semiotic approach to multimodal studies, proposes a systemic framework of image-text paratactic and hypotactic projection in academic comics. This framework identifies three sub-categories of paratactic projection and hypotactic projection, respectively: (1) Emergent, (2) Adjoined, (3) Sequential, (4) Compound, (5) Subsumed, and (6) Fused. The use of these projection configurations contributes to the realization of the communicative purposes of academic comics to evidence, exemplify, emphasize, explain, elaborate, and visualize the discussed knowledge. This research attempts not only to contribute to the theoretical development of multimodality from the social-semiotic perspective by refining and enlarging the multimodal hypotactic projection framework but also to provide an effective and applicable tool for comics analysis.
Title: Intersemiotic projection and academic comics: towards a social semiotic framework of multimodal paratactic and hypotactic projection
Description:
Abstract
Intersemiotic projection is one of the most common configurations in the knowledge construction process of academic comics.
Although previous studies address some general features of intersemiotic projection, further research on interdependency relations of intersemiotic projection is needed in order to map out the whole system.
This study, based on the social-semiotic approach to multimodal studies, proposes a systemic framework of image-text paratactic and hypotactic projection in academic comics.
This framework identifies three sub-categories of paratactic projection and hypotactic projection, respectively: (1) Emergent, (2) Adjoined, (3) Sequential, (4) Compound, (5) Subsumed, and (6) Fused.
The use of these projection configurations contributes to the realization of the communicative purposes of academic comics to evidence, exemplify, emphasize, explain, elaborate, and visualize the discussed knowledge.
This research attempts not only to contribute to the theoretical development of multimodality from the social-semiotic perspective by refining and enlarging the multimodal hypotactic projection framework but also to provide an effective and applicable tool for comics analysis.
Related Results
Like Me or Like Us
Like Me or Like Us
Research has shown abundant evidence for social projection, that is, the tendency to expect similarity between oneself and others ( Krueger, 1998a , 1998b ). This effect is stronge...
‘It’s the brightness of the idea’: Talking comics with Brendan McCarthy
‘It’s the brightness of the idea’: Talking comics with Brendan McCarthy
Visionary British artist and designer Brendan McCarthy is internationally known for his singularly unique approach to art and craft. His comics debut, Sometime Stories, was publish...
F. T. Marinetti's Experiments with Acoustic and Visual Poetry: A New Semiotic Approach
F. T. Marinetti's Experiments with Acoustic and Visual Poetry: A New Semiotic Approach
The present paper identifies evidence of proto-semiotic thinking in Italian Futurist manifestoes and in Marinetti's experimental ‘words-in-freedom’ (parole in libertà). A case is m...
One Fourth-Grader’s Orchestration of Modes Through Comic Composition
One Fourth-Grader’s Orchestration of Modes Through Comic Composition
Language-oriented literacy standards offer mostly linguistic accounts of text complexity. In response, the present article demonstrates that multimodal and visual narratives offer ...
Illusions of simplicity
Illusions of simplicity
Visual poems employ the materiality of language (such as letter- and word-forms and page layouts), to help develop their meanings, thereby synthesizing visual and verbal cues. To d...
The Heartbeat of Poetry: Student Videomaking in Response to Poetry
The Heartbeat of Poetry: Student Videomaking in Response to Poetry
This article contributes to an emerging body of scholarship on multimodal composition in the poetry classroom through a study of Finnish lower secondary students’ digital videomaki...
Comparative analysis of information tendency and application features for projection mapping technologies at cultural heritage sites
Comparative analysis of information tendency and application features for projection mapping technologies at cultural heritage sites
AbstractWith the rapid development of interactive technologies using projection mapping (PJM), these digital technologies have introduced new interpretative possibilities for the p...
Octahedral Creativity Framework
Octahedral Creativity Framework
Abstract
Currently, Rhodes’ 4p framework of creativity is the most widely accepted framework to understand creativity. In spite of this, there are many new theories ...