Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Fracking, fashion and the environmental activism of Vivienne Westwood

View through CrossRef
Vivienne Westwood frequently utilizes her iconic status to advocate for a variety of social, political and economic issues (Moir 2021). Since 2008, environmental politics, climate change and fracking policies have been the focus of her activism. Westwood regularly attends anti-fracking protests, such as in 2015, when she gained significant news attention for driving a tank across British Prime Minister David Cameron’s lawn. This article explores the possibilities of Westwood’s design activism within visual culture to communicate the grave environmental consequences of fracking and climate change. In addition to her political activities, Westwood has incorporated an environmental critique into her fashion collections, such as transforming her 2015 London Fashion Week performance into an anti-fracking protest. Westwood consequently draws upon her privileged status as a cultural icon to position her runway and subsequent media attention as a platform encouraging critical debate in regard to ethical fashion and environmental change.
Title: Fracking, fashion and the environmental activism of Vivienne Westwood
Description:
Vivienne Westwood frequently utilizes her iconic status to advocate for a variety of social, political and economic issues (Moir 2021).
Since 2008, environmental politics, climate change and fracking policies have been the focus of her activism.
Westwood regularly attends anti-fracking protests, such as in 2015, when she gained significant news attention for driving a tank across British Prime Minister David Cameron’s lawn.
This article explores the possibilities of Westwood’s design activism within visual culture to communicate the grave environmental consequences of fracking and climate change.
In addition to her political activities, Westwood has incorporated an environmental critique into her fashion collections, such as transforming her 2015 London Fashion Week performance into an anti-fracking protest.
Westwood consequently draws upon her privileged status as a cultural icon to position her runway and subsequent media attention as a platform encouraging critical debate in regard to ethical fashion and environmental change.

Related Results

The dialectical nature of Cindy Sherman’s fashion photographs
The dialectical nature of Cindy Sherman’s fashion photographs
This article seeks to interrogate the increasingly prevalent consideration of fashion photographs as ‘artworks’, independent of their commercial function. Using Cindy Sherman’s fas...
Dina Torkia’s Modestly: Beauty work, autobiographical habitus and the modest fashion influencer
Dina Torkia’s Modestly: Beauty work, autobiographical habitus and the modest fashion influencer
The article examines the Islamic fashion vlogger Dina Torkia’s book Modestly in terms of the ways in which it combines beauty and fashion advice and tutorials relating to modest fa...
Consumer movements, brand activism, and the participatory politics of media: A conversation
Consumer movements, brand activism, and the participatory politics of media: A conversation
This is a scripted adaptation of a conversational podcast interview between Henry Jenkins and Robert Kozinets about contemporary consumer activism and its relationship to media stu...
Man-made man: The role of the fashion photograph in the development of masculinity
Man-made man: The role of the fashion photograph in the development of masculinity
As a former male model and fashion photographer, I am fascinated by the visual representation of masculinity. Currently, this representation is in the midst of a shift away from tr...
Interrogations: Art, art education and environmental sustainability
Interrogations: Art, art education and environmental sustainability
How can art educators begin to inhabit questions of environmental sustainability, accepting to be ethically normative but avoiding becoming dogmatic? This article investigates thre...
Fashion in Jean Rhys/Jean Rhys in Fashion
Fashion in Jean Rhys/Jean Rhys in Fashion
This article proposes a reciprocal relationship between Jean Rhys's interwar fiction and the mass media that popularised her work in the 1960s and 1970s. Surveying the signs that R...
‘How soon was now?’: A retrospective on the popularity of nouveau vintage
‘How soon was now?’: A retrospective on the popularity of nouveau vintage
Fashion is a product and reflection of time and tantamount to modernity. The promise of which rests in the future, thus fashion is forever looking forward in the ambition to be ‘ne...
The fetish economy of sex and gender activism: transnational appropriation and allyship
The fetish economy of sex and gender activism: transnational appropriation and allyship
This article examines what happens when local gender rights activism is taken up by international allies and appropriators, using case studies of activism in Saudi Arabia and India...

Back to Top