Javascript must be enabled to continue!
Media, Mediation, and Milton's Eve
View through CrossRef
ABSTRACT
In Milton's Paradise Lost, creation is mediated from the beginning. The Fall of humanity changes some modes and degrees of mediation, but the epic suggests that considering differences among kinds of mediation is more fruitful than seeking to avoid it. Paradise Lost offers a useful context for our own debates about incessant digital distractions by exploring the affordances and challenges of different kinds of mediation, by positing links between femininity and mediation, and by considering how mediation affects attention.
Title: Media, Mediation, and Milton's Eve
Description:
ABSTRACT
In Milton's Paradise Lost, creation is mediated from the beginning.
The Fall of humanity changes some modes and degrees of mediation, but the epic suggests that considering differences among kinds of mediation is more fruitful than seeking to avoid it.
Paradise Lost offers a useful context for our own debates about incessant digital distractions by exploring the affordances and challenges of different kinds of mediation, by positing links between femininity and mediation, and by considering how mediation affects attention.
Related Results
Eve in Anglo-Saxon Retellings of the Harrowing of Hell
Eve in Anglo-Saxon Retellings of the Harrowing of Hell
A spate of recent articles attests to a growing interest in Eve in criticism of Old English literature. However, these same articles demonstrate the narrowness of this interest, as...
De la scène artistique à la scène scolaire: extension des territoires de la médiation culturelle par le numérique dans les arts de la scène?
De la scène artistique à la scène scolaire: extension des territoires de la médiation culturelle par le numérique dans les arts de la scène?
Dans cette une étude exploratoire, nous décrivons comment des organismes des arts de la scène au Québec tentent, par des actions de médiation culturelle (MC) et la mise en place de...
“Uncloister'd Virtue”: Adam and Eve in Milton's Paradise
“Uncloister'd Virtue”: Adam and Eve in Milton's Paradise
ABSTRACT
Milton, following Genesis, dates man's Fall from his eating the fruit of the “Tree of the Knowledge of Good and Evil,” yet in Paradise Lost Adam and Eve kno...
Naming Milton's Eve
Naming Milton's Eve
The present article explores Paradise Lost's fixing on the identity of the first woman, as given and found in her name, from Adam's and God's initial, “quasi-baptismal” speech-acts...
Peninsula Lost: Mapping Milton’s Celtiberian cartographies
Peninsula Lost: Mapping Milton’s Celtiberian cartographies
In A Mask Presented at Ludlow Castle (1634), John Milton depicts Comus “ripe and frolic of his full grown age, Roving the Celtic and Iberian fields.” While Milton’s complex engagem...
No "Sombre Satan": C. S. Lewis, Milton, and Re-presentations of the Diabolical
No "Sombre Satan": C. S. Lewis, Milton, and Re-presentations of the Diabolical
AbstractC.S. Lewis is most often read as a staunch "anti-Satanist" and critic of romanticized readings of Milton's Satan, a view derived largely from his Preface to Paradise Lost. ...
Milton's God: Authority in “Paradise Lost”
Milton's God: Authority in “Paradise Lost”
ABSTRACT
Milton's God consistently evokes an unfavorable reaction in the modern reader, the result not so much of our emotional response to Christianity as of our an...
Paradiastole, Lost and Regained
Paradiastole, Lost and Regained
ABSTRACT
The rhetorical figure of paradiastole (the redescription of vices as virtues) offers important insight into Satan’s temptation discourse in Paradise Lost. T...