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Biography in Bits and Pieces: Selling Ethel Dickens in the Periodical Press

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This chapter examines periodicals’ representations of Ethel Kate Dickens, the granddaughter of the novelist and a ‘typewriter’ to London’s literary elite from 1887 to 1936. The analysis focuses on a cluster of newspaper snippets that circulated in 1902–03 in the United States and Australia. These tit-bits serve as micro-biographies of both Ethel and Charles Dickens: they always feature a doubled subject. In the rhetoric of these snippets the general celebrity of Charles Dickens gives the facts of Ethel’s life significance, while Ethel’s literary-adjacent labour gives Charles’s legacy newsworthy currency. Ethel Dickens is represented as a copyist of literature and a copy of her more ‘original’ forebear in the material form of circulating news copy. The chapter argues that this cluster of doubled micro-biographies provides an illuminating case study that reveals the indexical dynamics of identity that situated selfhood as a compelling commodity at the center of this period's biographical writing.
Title: Biography in Bits and Pieces: Selling Ethel Dickens in the Periodical Press
Description:
This chapter examines periodicals’ representations of Ethel Kate Dickens, the granddaughter of the novelist and a ‘typewriter’ to London’s literary elite from 1887 to 1936.
The analysis focuses on a cluster of newspaper snippets that circulated in 1902–03 in the United States and Australia.
These tit-bits serve as micro-biographies of both Ethel and Charles Dickens: they always feature a doubled subject.
In the rhetoric of these snippets the general celebrity of Charles Dickens gives the facts of Ethel’s life significance, while Ethel’s literary-adjacent labour gives Charles’s legacy newsworthy currency.
Ethel Dickens is represented as a copyist of literature and a copy of her more ‘original’ forebear in the material form of circulating news copy.
The chapter argues that this cluster of doubled micro-biographies provides an illuminating case study that reveals the indexical dynamics of identity that situated selfhood as a compelling commodity at the center of this period's biographical writing.

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