An angel's kiss

This chapter examines Porter's Kiss Me, Kate. Written in 1948, it holds a unique place in Porter's career and represents the fullest flowering of his mature talent. Porter met the ...

In part because of its pulp fiction, Mickey-Spillane provenance, Kiss Me Deadly (1955) has been widely interpreted as a key text of McCarthyism, yet it’s arguably better interprete...

For nearly 25 years, Pauline Kael was one of America’s most respected, controversial, and talked-about film reviewers. A contributor to the New Yorker from 1968 until 1991, Kael’s ...

This chapter examines the place of Argentine pianist Miguel Ángel Estrella in the politics of Latin American music, focusing on the Dirty War, the wave of repression and violence b...