Bei Cun's works as a manifestation of the cultural Christianity phenomenon in contemporary China

The article is devoted to the phenomenon of cultural Christianity in modern China. This phenomenon suggests the desire to explain the norms and values of Christianity to the Chinese audience through the prism of the traditional foundations of Chinese culture. Examples of cultural Christianity include Chinese intelligentsia's fascination with the history and philosophy of Christianity; Chinese masters' creating Christian images and scenes of the Virgin Mary, the Nativity, etc. in the traditional Chinese guohua style; Chinese deltiology with pictures of famous temples in Harbin; the folklore heritage of Harbin residents, etc. Sharing the idea of the existence of cultural Christianity phenomenon, the authors analyze the works of the contemporary Chinese writer Bei Cun. After 1992, when he converted to Christianity, a key transformation took place in his work. Bei Cun strives to convey to the Chinese audience the Christian categories of sin, redemption, guilt, forgiveness, love, etc. The main theme of the novel I Have a Covenant with God comes down to the Christian concept that all people are born sinful and hope for redemption, and that confession of sin and repentance are the basis for forgiveness. According to the plot, the first chapters of the novel tell us that the main character, Chen Busen, has fallen into the abyss of sin. Being abandoned by his parents, he becomes a criminal and a murderer. In the final chapters, Chen Busen's soul finds redemption through comprehension, sincere repentance, and even love for the victim's relatives. Thus, by describing the contemporary realities of Chinese society in his works, Bei Cun introduces Christian ideas and values into the Chinese picture of the world and tries to bring Christianity and Chinese culture together.