Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

“Our Place”

View through CrossRef
This chapter examines the role of film and cinema as a force in women's lives by focusing on women as cinema audiences. More specifically, it considers the experiences of a modern-day group of women who patronize and actively support the First Avenue Cinema, a 1950s single-screen film theater located in the coastal town of Sawtell in New South Wales, Australia. The chapter first provides a brief background on the geographic and economic contours of Sawtell before turning to First Avenue Cinema and its women audiences, paying attention to how it positions itself as a social space that local women want to inhabit. It also discusses the practices of a “social audience” and describes cinema-going as an act of sociocultural participation. The chapter concludes with a look at the efforts and activism of a particular group of local residents (almost all women) who rallied together in 2009 in an effort to help save the cinema from permanent closure—a response that offers important insights into into the everyday significance of filmgoing for rural women.
University of Illinois Press
Title: “Our Place”
Description:
This chapter examines the role of film and cinema as a force in women's lives by focusing on women as cinema audiences.
More specifically, it considers the experiences of a modern-day group of women who patronize and actively support the First Avenue Cinema, a 1950s single-screen film theater located in the coastal town of Sawtell in New South Wales, Australia.
The chapter first provides a brief background on the geographic and economic contours of Sawtell before turning to First Avenue Cinema and its women audiences, paying attention to how it positions itself as a social space that local women want to inhabit.
It also discusses the practices of a “social audience” and describes cinema-going as an act of sociocultural participation.
The chapter concludes with a look at the efforts and activism of a particular group of local residents (almost all women) who rallied together in 2009 in an effort to help save the cinema from permanent closure—a response that offers important insights into into the everyday significance of filmgoing for rural women.

Related Results

The Goddess of Place, Place of the Goddess
The Goddess of Place, Place of the Goddess
Chapter 2 investigates the goddess Svasthānī herself. Svasthānī, “the Goddess of One’s Own Place,” serves as a relatively recent and tangible case study for understanding the birth...
Jennifer Lopez
Jennifer Lopez
One of Hollywood's first openly Latin stars, Jennifer Lopez has held fast to her New York Bronx roots, while rising above them to become the highest paid Latina actress in history....
Colonial Utopias/Dystopias
Colonial Utopias/Dystopias
This chapter explores colonial utopias/dystopias. Utopianism and colonialism have had direct connections from the time Thomas More inadvertently created a genre of literature when ...
Placing Charlotte Smith
Placing Charlotte Smith
A lively and far-ranging interest in place, space, and situation characterizes the work of Romantic-era British author Charlotte Smith (1749-1806). Featuring ten original essays, a...
Introduction
Introduction
The question of how space becomes place, through human experience and imagination, has for some time occupied scholars of diverse disciplines. This book pursues the further religio...
The Place of Imagination
The Place of Imagination
“Imagination,” a word evidently central to the vocation and sensibility of English Romantic poets, is likewise invoked often as a defining term in American literary history. But wh...
Placing Elysium in Renaissance Britain
Placing Elysium in Renaissance Britain
Abstract Placing Elysium in Renaissance Britain: Poetry, Politics, Theology, Eros is the first study of Elysium as a place in English Renaissance culture. The absenc...

Back to Top