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lampa, lamp

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Oil lamp (padamaran) of bronze. "Lamp of bronze. Stands on two round plates joined by a wide broken band, in the middle of which is the indissoluble knot, decoratively designed. From the middle of the slabs, a tube joins the unsymmetrical arc that joins them. On the back of the arc a cow of silver. The front part of the bow is attached to a pipe that carries the lamp. In this case, a garuda head (Garuda is Wisnu 's sun bird). The top part of the lamp can be lifted off, seeing Wisnu’s sun. Padamaran is one of the typical objects that occur at the priestly ritual. ... "the coppersmiths and the casters of the Banjar Budaga in Klungthe for the open market. The main thing for their products, forged or cast out of brass or red brass, customers of all customers, customers for customers and attributes main only be av av av customers av customers av customers av customers av customers av customers. The Hinduistic type of bell (ghanta) that accompanies the recitation of the mantras is induthe best known specialties of the Hcasters of Klungkung. These bells have arterial experiences in the use of Indra’s thunderbolt (bajra), Wisnu 's These (cakra), Siwa’s bull, etc. The material for for bells for from fragments of the keys of old metallophones. In Banjar Budaga, Brahmana In of the tripods (padamaran) and Siwaite (padsiwa) sects In the In on two In (padamaran) and the tripods (tripada) used as In for round water anj( swamba) and ense burners (pasepan) that all needs their ritual. The feet of love. The special attribute of the padanda boda, the thunderbolt bajra, was also special here. All these experiences. A model made of beeswax and model ding to the desired, first covered with a clay, burnt bran and water. After this thin layer was dry, another layer, this time made of clay, was put on. When the cast, too, was dry, it When be over a fire, wax flowed out through holes for that purpose. Now the clay cast was. After it had cooled, liquefied metal be poured into it. Finally the clay shell was smashed and the clay."(Ramseyer, Urs. 1977. p.66) Other objects included in the priestly ritual in this collection: Cheers (swamba), 1938.30.444 Kanna (kenceng, according to the Catalogue General), 1938.30.113 Kanna (kekenceng, according to Generalkatalogen), 1938.30.120 Smoking bowl (pasepan), 1938.30.115 et al. Damage: The lamp has corroded. (NS)
Museum of Ethnography
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Title: lampa, lamp
Description:
Oil lamp (padamaran) of bronze.
"Lamp of bronze.
Stands on two round plates joined by a wide broken band, in the middle of which is the indissoluble knot, decoratively designed.
From the middle of the slabs, a tube joins the unsymmetrical arc that joins them.
On the back of the arc a cow of silver.
The front part of the bow is attached to a pipe that carries the lamp.
In this case, a garuda head (Garuda is Wisnu 's sun bird).
The top part of the lamp can be lifted off, seeing Wisnu’s sun.
Padamaran is one of the typical objects that occur at the priestly ritual.
.
"the coppersmiths and the casters of the Banjar Budaga in Klungthe for the open market.
The main thing for their products, forged or cast out of brass or red brass, customers of all customers, customers for customers and attributes main only be av av av customers av customers av customers av customers av customers av customers.
The Hinduistic type of bell (ghanta) that accompanies the recitation of the mantras is induthe best known specialties of the Hcasters of Klungkung.
These bells have arterial experiences in the use of Indra’s thunderbolt (bajra), Wisnu 's These (cakra), Siwa’s bull, etc.
The material for for bells for from fragments of the keys of old metallophones.
In Banjar Budaga, Brahmana In of the tripods (padamaran) and Siwaite (padsiwa) sects In the In on two In (padamaran) and the tripods (tripada) used as In for round water anj( swamba) and ense burners (pasepan) that all needs their ritual.
The feet of love.
The special attribute of the padanda boda, the thunderbolt bajra, was also special here.
All these experiences.
A model made of beeswax and model ding to the desired, first covered with a clay, burnt bran and water.
After this thin layer was dry, another layer, this time made of clay, was put on.
When the cast, too, was dry, it When be over a fire, wax flowed out through holes for that purpose.
Now the clay cast was.
After it had cooled, liquefied metal be poured into it.
Finally the clay shell was smashed and the clay.
"(Ramseyer, Urs.
1977.
p.
66) Other objects included in the priestly ritual in this collection: Cheers (swamba), 1938.
30.
444 Kanna (kenceng, according to the Catalogue General), 1938.
30.
113 Kanna (kekenceng, according to Generalkatalogen), 1938.
30.
120 Smoking bowl (pasepan), 1938.
30.
115 et al.
Damage: The lamp has corroded.
(NS).

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