Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Virgil and the British Empire, 1760–1880

View through CrossRef
This chapter reflects on the readings and uses of Virgil in British imperial contexts during the eighteenth and nineteenth centuries. The British interest in Virgil heightened during the middle of the eighteenth century, when Britain was establishing its Second Empire. In the age of Elizabeth I and Shakespeare, Virgil was often deployed by writers in different imperial situations. Writers such as Edward Gibbon turned to Virgil not because of a desire to promote monarchical imperialism but with the aim of evaluating the mechanism of the empire, to explore its limits and contradictions, and to question its durability. In Victoria’s reign, when the empire in India seemed to several Britons to be long lasting, many prominent figures highlighted the providential and prophetic interpretations of Virgil, and speculated about an empire that was divinely ordained and infinite. Among these prominent personages were Tennyson, Auden, Bryce, and so on. These themes of British Empire within the context of Virgil’s writings are examined from the time of Gibbon to the Victorians, in order to describe the interweaving relationships and patterns that link Virgil and the history of the empire.
Title: Virgil and the British Empire, 1760–1880
Description:
This chapter reflects on the readings and uses of Virgil in British imperial contexts during the eighteenth and nineteenth centuries.
The British interest in Virgil heightened during the middle of the eighteenth century, when Britain was establishing its Second Empire.
In the age of Elizabeth I and Shakespeare, Virgil was often deployed by writers in different imperial situations.
Writers such as Edward Gibbon turned to Virgil not because of a desire to promote monarchical imperialism but with the aim of evaluating the mechanism of the empire, to explore its limits and contradictions, and to question its durability.
In Victoria’s reign, when the empire in India seemed to several Britons to be long lasting, many prominent figures highlighted the providential and prophetic interpretations of Virgil, and speculated about an empire that was divinely ordained and infinite.
Among these prominent personages were Tennyson, Auden, Bryce, and so on.
These themes of British Empire within the context of Virgil’s writings are examined from the time of Gibbon to the Victorians, in order to describe the interweaving relationships and patterns that link Virgil and the history of the empire.

Related Results

Propertius, Greek Myth, and Virgil
Propertius, Greek Myth, and Virgil
This book develops a new interpretation of Propertius’ use of Greek myth and of his relationship to Virgil, working out the implications of a revised relative dating of the two poe...
Teaching & Learning Guide for: Slavery and Romanticism
Teaching & Learning Guide for: Slavery and Romanticism
Author's Introduction Although it was long neglected on history courses, and almost entirely forgotten on literature courses, slavery and its abolition is now r...
Clash of Superpowers: Dollar vs Ruble
Clash of Superpowers: Dollar vs Ruble
History tells us nothing is permanent. We live in an ocean of time, and its main virtue is 'Changing'. Today, you are a slave, tomorrow, you can be the master. Today you are Nikola...
The Athenian Empire in the Fourth Century BCE
The Athenian Empire in the Fourth Century BCE
Studying the Athenian empire has always been a bit of a paradox—“a tiny empire surrounded by a vast but narrow rampart of scholarship” (Morris 2005: 1). But in spite of all this s...
DASAR BRITISH DAN JEPUN TERHADAP SEKOLAH MELAYU DAN TAMIL SEBELUM TAHUN 1957
DASAR BRITISH DAN JEPUN TERHADAP SEKOLAH MELAYU DAN TAMIL SEBELUM TAHUN 1957
ABSTRAK Sejarah pendidikan menjadi sangat penting dalam konteks Malaysia kerana kajiannya masih belum dilakukan secara meluas, sama ada sebelum mahupun selepas merdeka. Maka, adala...
Virgil’s Aeneid
Virgil’s Aeneid
Chapter 9 begins by introducing Virgil as an epic poet in the tradition of Homer. An account is given of Virgil’s goal to provide Rome with a great national epic during the time of...
Sir William Keith, James Thomson and Scoto-British Views of the British Empire, its History and Imperial Policy, 1728–40
Sir William Keith, James Thomson and Scoto-British Views of the British Empire, its History and Imperial Policy, 1728–40
Recent scholarship has asserted the presence of a ‘Patriot Party’ in the 1730s that took a pan-Atlantic approach to reforming the British empire along egalitarian lines. Two Scots,...
The Criminals in Virgil's Tartarus: Contemporary Allusions inAeneid6.621–4
The Criminals in Virgil's Tartarus: Contemporary Allusions inAeneid6.621–4
AtAen. 6.562–627 the Sibyl gives Aeneas a description of the criminals in Tartarus and the punishments to which they are condemned. The criminals are presented to us in several gro...

Back to Top