Javascript must be enabled to continue!
Bust of Perseus
View through CrossRef
The bust here published was acquired by the British Museum in 1879 from Alessandro Castellani, but without an accompanying record of where it had been found. The marble is Italian and the workmanship Roman, or, as it is generally termed, Graeco-Roman. In the type of head and in the features is to be traced a powerful and pathetic original. The chin is aesthetically large, the eyes and eyebrows are strained forward as if by constant intensity of pathos, in contrast to the relaxation of muscle produced by an equable mind. Doubtless the original is to be sought in the schools of Praxiteles and Scopas; but in the search for it allowance must be made for great differences. In this marble the collar-bones and the strongly-marked muscles of the neck are represented so as to aid the effect of the strain on the neck rather than for the sake of truth to nature. The object of the sculptor has been to produce a first impression, not of form but of action. He has been regardless of form, now exaggerating, as in the muscles of the neck, now reducing such details as the right wing of the helmet to a condition of subordination which has a paltry effect. The feathers which cover the helmet are from the hand of an ordinary workman. The left wing has been made of a separate piece and let in, but is now wanting.It might be a question whether this head is not that of Hermes rather than of Perseus. The fact of its having been made to fit into a term—as may be seen from the angle at which the chest-bones project—would be in favour of Hermes, while the winged cap would in its present condition equally suit him.
Title: Bust of Perseus
Description:
The bust here published was acquired by the British Museum in 1879 from Alessandro Castellani, but without an accompanying record of where it had been found.
The marble is Italian and the workmanship Roman, or, as it is generally termed, Graeco-Roman.
In the type of head and in the features is to be traced a powerful and pathetic original.
The chin is aesthetically large, the eyes and eyebrows are strained forward as if by constant intensity of pathos, in contrast to the relaxation of muscle produced by an equable mind.
Doubtless the original is to be sought in the schools of Praxiteles and Scopas; but in the search for it allowance must be made for great differences.
In this marble the collar-bones and the strongly-marked muscles of the neck are represented so as to aid the effect of the strain on the neck rather than for the sake of truth to nature.
The object of the sculptor has been to produce a first impression, not of form but of action.
He has been regardless of form, now exaggerating, as in the muscles of the neck, now reducing such details as the right wing of the helmet to a condition of subordination which has a paltry effect.
The feathers which cover the helmet are from the hand of an ordinary workman.
The left wing has been made of a separate piece and let in, but is now wanting.
It might be a question whether this head is not that of Hermes rather than of Perseus.
The fact of its having been made to fit into a term—as may be seen from the angle at which the chest-bones project—would be in favour of Hermes, while the winged cap would in its present condition equally suit him.
Related Results
STAGING ROMAN SLAVERY IN THE SECOND CENTURY BCE
STAGING ROMAN SLAVERY IN THE SECOND CENTURY BCE
In 167 BCE, L. Aemilius Paullus celebrated a triumph in Rome following the defeat of King Perseus of Macedon at the Battle of Pydna in the previous year. All of the accounts of the...
The Perseus OB2 Superbubble and the Taurus-Auriga-California-Perseus Molecular Cloud Loop
The Perseus OB2 Superbubble and the Taurus-Auriga-California-Perseus Molecular Cloud Loop
Abstract
Located at a distance of about 300 pc, Perseus OB2 (or Per~OB2 for short) is one of the major OB associations in the solar vicinity\cite{Zeeuw99,Belikov2002}, whic...
BURDUR MERKEZ BEREKET KÖYÜ’NDEN ZEUS “KARPOPHOROS ?” BÜSTÜ
BURDUR MERKEZ BEREKET KÖYÜ’NDEN ZEUS “KARPOPHOROS ?” BÜSTÜ
Bu çalışmada, 1997 yılında sivil bir yurttaş tarafından Burdur Arkeoloji Müzesine kazandırılan erkek büstü irde-lenmiştir. İlk kez bilim dünyasıyla paylaşılan büst, ikonografisiyle...
The Mask of the Underworld Daemon—Some Remarks on the Perseus-Gorgon Story
The Mask of the Underworld Daemon—Some Remarks on the Perseus-Gorgon Story
At the VIIth Congress for the History of Religions, held at Amsterdam in 1950, the central question was posed whether a mythical-ritual pattern could be discerned in various ancien...
Perseus and Chemmis (Herodotus II 91)
Perseus and Chemmis (Herodotus II 91)
Few sections in the whole of Book ii of Herodotus' History present such difficulties as Chapter 91. The problems posed are: first, what and where was Neapolis? Second, who was the ...
Medusa Miti Üzerinden Sanatta Yeniden Anlamlandırma ve Yeniden Üretim
Medusa Miti Üzerinden Sanatta Yeniden Anlamlandırma ve Yeniden Üretim
Bu çalışmada Medusa’nın sanat tarihindeki ifade biçimlerinin araştırılması amaçlanmaktadır. Makalenin “Medusa Miti ve Sanat Alanındaki Kullanımları” başlıklı birinci bölümünde Medu...
Multiwavelength Long-term Studies of Radio Galaxy NGC 1275
Multiwavelength Long-term Studies of Radio Galaxy NGC 1275
Abstract
It is widely considered that the processes of an interaction between the energy and radiation, which are generated in the active galactic nuclei (AGN) by ac...
TeV gamma-rays from the region of Perseus Cluster
TeV gamma-rays from the region of Perseus Cluster
Abstract
The results of 20-year observations of the Perseus cluster centering on the NGC 1275 including IC 310 radio galaxy and extragalactic supernova SN 2006gy at ...

