Javascript must be enabled to continue!
Amarante, Dirce Waltrick; Tápia, Marcelo. Donaldo Schüler: entrevista. Curitiba: Medusa, 2018, 166 p. Mídia impressa/Guerini, Andréia; Medeiros, Sérgio. Aurora Bernardini: entrevista. Curitiba: Medusa, 2018, 116 p. Mídia impressa.
View through CrossRef
Amarante, Dirce Waltrick; Tápia, Marcelo. Donaldo Schüler: entrevista. Curitiba: Medusa, 2018, 166 p. Mídia impressa.Guerini, Andréia; Medeiros, Sérgio. Aurora Bernardini: entrevista.Curitiba: Medusa, 2018, 116 p. Mídia impressa.
Title: Amarante, Dirce Waltrick; Tápia, Marcelo. Donaldo Schüler: entrevista. Curitiba: Medusa, 2018, 166 p. Mídia impressa/Guerini, Andréia; Medeiros, Sérgio. Aurora Bernardini: entrevista. Curitiba: Medusa, 2018, 116 p. Mídia impressa.
Description:
Amarante, Dirce Waltrick; Tápia, Marcelo.
Donaldo Schüler: entrevista.
Curitiba: Medusa, 2018, 166 p.
Mídia impressa.
Guerini, Andréia; Medeiros, Sérgio.
Aurora Bernardini: entrevista.
Curitiba: Medusa, 2018, 116 p.
Mídia impressa.
Related Results
Medeiros, Paulo de. <em>Pessoa’s Geometry of the Abyss: Modernity and the Book of Disquiet</em>. Oxford: Legenda, 2013. Print.
Medeiros, Paulo de. <em>Pessoa’s Geometry of the Abyss: Modernity and the Book of Disquiet</em>. Oxford: Legenda, 2013. Print.
The title of Paulo de Medeiros’s book cryptically points to a reconsideration of traditional interpretations of the work of Fernando Pessoa. Beyond this, it urges the international...
The Politics of Color in the Arctic Landscape: Blackness at the Center of Frederic Edwin Church's Aurora Borealis and the Legacy of 19th-Century Limits of Representation
The Politics of Color in the Arctic Landscape: Blackness at the Center of Frederic Edwin Church's Aurora Borealis and the Legacy of 19th-Century Limits of Representation
American painter Frederic Edwin Church's monumental oil painting Aurora Borealis (1865) presents a stark contrast to the dominant Western tradition of representing the Arctic as mo...
Resenha do livro O cravo no Rio de Janeiro do século XX
Resenha do livro O cravo no Rio de Janeiro do século XX
O presente texto consiste em uma resenha do livro O cravo no Rio de Janeiro do século XX, escrito pelos cravistas, professores e pesquisadores Marcelo Fagerlande (também coordenado...
Reclaiming My Sister, Medusa: A Critical Autoethnography About Healing From Sexual Violence Through Solidarity, Doll-Making, and Mending Myth
Reclaiming My Sister, Medusa: A Critical Autoethnography About Healing From Sexual Violence Through Solidarity, Doll-Making, and Mending Myth
According to the poet Ovid, Medusa was a beautiful maiden, who was raped by Poseidon in Athena’s temple. Medusa called upon the goddess Athena for revenge, but, instead, Athena pun...
Blindness, Invisibility, and the Negative Inheritance of World Literature
Blindness, Invisibility, and the Negative Inheritance of World Literature
World literature can be seen as one of Friedrich Nietzsche’s “good things,” a great idealization of the capacities of the human spirit and at the same time a fierce contest for pow...
Galindo, Caetano W.; Costa, Walter Carlos. Paulo Henriques Britto: entrevista. Curitiba: Medusa, 2019. 168 p.
Galindo, Caetano W.; Costa, Walter Carlos. Paulo Henriques Britto: entrevista. Curitiba: Medusa, 2019. 168 p.
O objetivo desta resenha é apresentar o livro de entrevistas intitulado: Paulo Henriques Britto, organizado por Caetano W. Galindo e Walter Carlos Costa. Por meio desta revisão crí...
Entrevista a Erik van der Weijde
Entrevista a Erik van der Weijde
El trabajo de Erik van der Weijde está tramado por una práctica fotográfica considerada desde múltiples perspectivas convergentes. La apropiación y producción de imágenes configura...
Medusa, el silencio del monstruo
Medusa, el silencio del monstruo
Lo que lleva a indagar sobre la figura de Medusa es su silencio. Nadie ha oído la voz de Medusa. Aunque hay referencias a aullidos y chillidos, no habla en ninguna de las escenas d...
Recent Results
El claustro de Silos
El claustro de Silos
Justo Pérez de Urbel, Santo Domingo de Silos (Benedictine abbey), 1975, Imprenta Aldecoa...
A young woman convalescing in a country garden watches a bird feed on bread. Coloured line engraving by C. Cousen after M.B. Foster.
A young woman convalescing in a country garden watches a bird feed on bread. Coloured line engraving by C. Cousen after M.B. Foster.
Lettering: The Convalescent. From the picture in the possession of the publishers. C. Cousen sculpt. ; Birket Foster pinxt....