Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Art As Witness

View through CrossRef
Art As Witness is an invitation for professors, researchers, clergy, educators, students, and activists to creatively integrate the arts in theology and religious studies for a practical theology of arts-based research that prioritizes public witness. This methodology challenges the traditional written word as being the privileged norm, arguing that this emerging research genre is an excellent, viable, and necessary option for research that supports, promotes, and publicizes liberating theology for the marginalized, victimized, and oppressed. It includes a detailed case study of “Art Inside Karnes,” the all-volunteer arts-based ministry of presence the author facilitated inside a for-profit immigrant family detention center that became the Power of Hope traveling art exhibit for education, advocacy, and public witness. This primer covers practical ethical, legal, and political matters; includes pedagogical examples for how to use arts-based research for student assessment in theology and religious studies; and provides an overview of arts options, including literary genres, visual arts, fabric arts, theater, filmmaking, and new media with digital content. Art as Witness features 40 illustrations, several case studies, and multiple contributing theologian-artists who engage the arts in themes that include immigration, HIV/AIDS, biblical studies, political protest, gender equity, gun law reform, racial justice, and more.
The Rowman & Littlefield Publishing Group, Inc.
Title: Art As Witness
Description:
Art As Witness is an invitation for professors, researchers, clergy, educators, students, and activists to creatively integrate the arts in theology and religious studies for a practical theology of arts-based research that prioritizes public witness.
This methodology challenges the traditional written word as being the privileged norm, arguing that this emerging research genre is an excellent, viable, and necessary option for research that supports, promotes, and publicizes liberating theology for the marginalized, victimized, and oppressed.
It includes a detailed case study of “Art Inside Karnes,” the all-volunteer arts-based ministry of presence the author facilitated inside a for-profit immigrant family detention center that became the Power of Hope traveling art exhibit for education, advocacy, and public witness.
This primer covers practical ethical, legal, and political matters; includes pedagogical examples for how to use arts-based research for student assessment in theology and religious studies; and provides an overview of arts options, including literary genres, visual arts, fabric arts, theater, filmmaking, and new media with digital content.
Art as Witness features 40 illustrations, several case studies, and multiple contributing theologian-artists who engage the arts in themes that include immigration, HIV/AIDS, biblical studies, political protest, gender equity, gun law reform, racial justice, and more.

Related Results

Testimony/Bearing Witness
Testimony/Bearing Witness
What is the epistemological value of testimony? What role does language, images, and memory play in its construction? What is the relationship between the person who attests and th...
Friedrich Hölderlin
Friedrich Hölderlin
In the preface to Stanzas, Agamben unambiguously provides the setting for his engagement with Friedrich Hölderlin: The name of Hölderlin – of a poet, that is, for whom poetry was a...
Invention
Invention
Chapter 1 uses a historical, and notably unconventional, example of witnessing to demonstrate how bearing witness involves sometimes radical and purposeful rhetorical invention (or...
Ethics of Hospitality
Ethics of Hospitality
Set against an ethical-theological-philosophical framework of the role of love in the Abrahamic tradition (Islam, Judaism, and Christianity), The Ethics of Hospitality highlights t...
Impossibility
Impossibility
This chapter argues that the very prospect of witnessing in late modern public culture is defined by countervailing imperatives: the publicly lauded ideal that bearing witness to t...
The Householders
The Householders
How the poet Robert Duncan and the artist Jess made the household part of their separate and collaborative creative practice. “I'm a householder,” the poet Robert Du...
Daily Life in the Roman City
Daily Life in the Roman City
Despite the fact that the majority of the inhabitants of the Roman Empire lived an agricultural existence and thus resided outside of urban centers, there is no denying the fact th...

Back to Top