Mourning and Melancholy in The 1990s and The 2000s Korean Novels—Focusing on Yoon Dae-nyeong and Kim Hoon’s Works

According to recent appraisals, despite its pathological aspects, melancholy can be a psychological impetus for spiritual creativity and utopianism. Drawing on those appraisals, this article examines some religious implications of mourning and melancholy in novels of Yoon Dae-nyeong and Kim Hoon in the context of Korean society in the 1990s and the early 2000s. Firstly, Yoon Dae-nyeong’s early works depict an intense sense of loss arising from the compressed pace of Korean modernity, and, throughout religious imagery, they express an aspiration for spiritual renewal. However, in Yoon’s works, spiritual aspiration soon gives way to a sense of resignation. Next, this article explores melancholy in Kim Hoon’s novels. Although Kim’s first two novels share with Yoon’s works an intense sense of loss, the melancholic traits in their characters are sublimated thanks to the characters’ openness to others and patient utopianism. They thus avoid the spiritual trap induced by melancholy’s self-destructive aspect. Kim’s utopianism is expressed again in his more recent works, such as Black Mountain and Harbin, which illustrate the Korean people’s present aspiration toward a spiritual utopia.