Javascript must be enabled to continue!
“Accused by the place and face of the other”: negotiations with complicity in the work of Antjie Krog and Yvonne Vera
View through CrossRef
This article examines how Antjie Krog and Yvonne Vera use literature to explore the issue of complicity in South Africa and Zimbabwe. Both societies have histories that are characterised by violence and trauma and neither society has engaged with these past abuses in a comprehensive way. Krog and Vera’s work reveal their awareness that a failure to deal with the pain of others in a responsible manner renders societies vulnerable to a repetition of past abuses. Any responsible engagement with the pain of others must involve acknowledging one’s own complicity in those abuses, regardless of how indirect one’s involvement may have been. By reading selected extracts of Krog and Vera’s work in terms of Mark Sanders’ theory of complicity, I illustrate how these authors facilitate a responsible engagement with the pain of their characters. The article will pay particular attention to how these authors expose broad complicity in the pain of individuals – individuals who are located at the intersections between racial and gender oppression.
Title: “Accused by the place and face of the other”: negotiations with complicity in the work of Antjie Krog and Yvonne Vera
Description:
This article examines how Antjie Krog and Yvonne Vera use literature to explore the issue of complicity in South Africa and Zimbabwe.
Both societies have histories that are characterised by violence and trauma and neither society has engaged with these past abuses in a comprehensive way.
Krog and Vera’s work reveal their awareness that a failure to deal with the pain of others in a responsible manner renders societies vulnerable to a repetition of past abuses.
Any responsible engagement with the pain of others must involve acknowledging one’s own complicity in those abuses, regardless of how indirect one’s involvement may have been.
By reading selected extracts of Krog and Vera’s work in terms of Mark Sanders’ theory of complicity, I illustrate how these authors facilitate a responsible engagement with the pain of their characters.
The article will pay particular attention to how these authors expose broad complicity in the pain of individuals – individuals who are located at the intersections between racial and gender oppression.
Related Results
The Nation and the Subaltern in Yvonne Vera’s Butterfly Burning
The Nation and the Subaltern in Yvonne Vera’s Butterfly Burning
Yvonne Vera’s death in 2005 brought to a tragic close the career of one of Zimbabwe’s, indeed Africa’s, more engaging contemporary writers. But her powerful novel, Butterfly Burnin...
Remembering the short stories of Yvonne Vera: A postcolonial and feminist reading of Why Don’t You Carve Other Animals?
Remembering the short stories of Yvonne Vera: A postcolonial and feminist reading of Why Don’t You Carve Other Animals?
The Zimbabwean author Yvonne Vera is one of the most important writers to emerge from the African continent over the last two decades. Although she has received widespread critical...
Public Art in the Private City: Control, Complicity and Criticality in Hong Kong
Public Art in the Private City: Control, Complicity and Criticality in Hong Kong
AbstractResponding to Open Philosophy’s call ‘Does public art have to be bad art?’, in this paper we argue that this discussion should pay attention to the consequences of structur...
Silenced Voices, Resuscitated Memory, and the Problematization of State Historiography in Yvonne Vera’s Novel The Stone Virgins
Silenced Voices, Resuscitated Memory, and the Problematization of State Historiography in Yvonne Vera’s Novel The Stone Virgins
In Zimbabwe (like in most post-colonial African nations), history holds a critical place in discourses on constructions and reconstructions of national identity. The history of the...
Feature Based Face Recognition using Machine Learning Techniques’
Feature Based Face Recognition using Machine Learning Techniques’
Human Face has Numerous unique Features to Distinguish between each other. Face can Identified by distinguishing between face and non-face followed by Identification. Traditionally...
Embodying the Face: The Intersubjectivity of Portraits and Self-portraits
Embodying the Face: The Intersubjectivity of Portraits and Self-portraits
AbstractThe topic of the human face is addressed from a biocultural perspective, focusing on the empirical investigation of how the face is represented, perceived, and evaluated in...
Not a scintilla of light: Darkness and despondency in Yvonne Vera’s Butterfly Burning
Not a scintilla of light: Darkness and despondency in Yvonne Vera’s Butterfly Burning
The paper makes an attempt at exploring the concept of the absurd as it applies to Yvonne Vera’s Butterfly Burning. The inordinate quest for survival and human dignity is graphical...
Kin Enough
Kin Enough
The moral imperatives of kinship in Italy today articulate state law and market in measurements of closeness for access to resources and care. The negotiations of insurance payouts...