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Lake of Heaven, Dams, and Japan's Transformation
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Ishimure Michiko has often been referred to as the “Rachel Carson of Japan”. Her bestselling book Paradise in the Sea of Sorrow: Our Minamata Disease (Kugai jodo; waga minamata byo, 1972) alerted many Japanese to the dangers of industrial pollution and shaped the conscience of a generation of politically and environmentally aware writers and activists. Ishimure has gone on to develop the Minamata story into a trilogy. She has also written a wide range of poetry, essays, novels, and noh drama and is the recipient of several international literary prizes as well as Japan's Asahi Prize and the Philippines’ Magsaysay Prize. She continues to be involved with the struggle for the rights of Minamata victims, and for the rights of other victims of prejudice and modernization. At the core of her writing and life work is the attempt to bring about a rebirth of the endangered “kotodama”—the spirit of language—that has been at the heart of traditional arts and culture in Japan and throughout the world. This article introduces her work and presents an excerpt from her novel Lake of Heaven.
Title: Lake of Heaven, Dams, and Japan's Transformation
Description:
Ishimure Michiko has often been referred to as the “Rachel Carson of Japan”.
Her bestselling book Paradise in the Sea of Sorrow: Our Minamata Disease (Kugai jodo; waga minamata byo, 1972) alerted many Japanese to the dangers of industrial pollution and shaped the conscience of a generation of politically and environmentally aware writers and activists.
Ishimure has gone on to develop the Minamata story into a trilogy.
She has also written a wide range of poetry, essays, novels, and noh drama and is the recipient of several international literary prizes as well as Japan's Asahi Prize and the Philippines’ Magsaysay Prize.
She continues to be involved with the struggle for the rights of Minamata victims, and for the rights of other victims of prejudice and modernization.
At the core of her writing and life work is the attempt to bring about a rebirth of the endangered “kotodama”—the spirit of language—that has been at the heart of traditional arts and culture in Japan and throughout the world.
This article introduces her work and presents an excerpt from her novel Lake of Heaven.
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