Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Virgin and Child playing with a Goldfinch and holding a Sheaf of Millet

View through National Gallery of Denmark
The Virgin Mary is shown seated with the Christ Child on her lap. She wears a gold crown and a blue robe, painted using the precious pigment lapis lazuli. The picture is full of symbols. For example, both Mary and the child have halos around their heads. Their radiance show that these are holy persons, residing in the heavenly realm. The gold background conveys the same message. The painting was originally an altarpiece in a church. There, churchgoers could pray to the Virgin Mary and ask her for help with life’s troubles. The idea was that you could reach her in Heaven via the image. Back then, the picture was regarded as part of the church’s sacred interior, not art. It only became art much later when it ended up in a museum. With her motherly care, her humility and obedience to God, Mary became a role model for women. This was how women should act in relation to God and their husbands, wrote the theologians, who were obviously all men at the time. While Mary was indeed an ideal, many women had other agendas too (50 Favorites in the SMK Collection).
Værkdatering: 1378 AD MCC[C.] LXXVIII
image-zoom
Title: Virgin and Child playing with a Goldfinch and holding a Sheaf of Millet
Description:
The Virgin Mary is shown seated with the Christ Child on her lap.
She wears a gold crown and a blue robe, painted using the precious pigment lapis lazuli.
The picture is full of symbols.
For example, both Mary and the child have halos around their heads.
Their radiance show that these are holy persons, residing in the heavenly realm.
The gold background conveys the same message.
The painting was originally an altarpiece in a church.
There, churchgoers could pray to the Virgin Mary and ask her for help with life’s troubles.
The idea was that you could reach her in Heaven via the image.
Back then, the picture was regarded as part of the church’s sacred interior, not art.
It only became art much later when it ended up in a museum.
With her motherly care, her humility and obedience to God, Mary became a role model for women.
This was how women should act in relation to God and their husbands, wrote the theologians, who were obviously all men at the time.
While Mary was indeed an ideal, many women had other agendas too (50 Favorites in the SMK Collection).

Related Results

The Virgin and Child enthroned
The Virgin and Child enthroned
This small panel of the Virgin and Child belonged to Frederick II of Prussia. It was in the Rohoncz collection by 1930, the date when it was included in the exhibition held at the ...
The Virgin and the Child between Angels
The Virgin and the Child between Angels
This anonymous painter worked in the city of Bruges, as we can tell from the depictions of the city that appear in some of the backgrounds of his paintings. His name is derived fro...
painting (oil): ["Rest on the Flight Into Egypt"]
painting (oil): ["Rest on the Flight Into Egypt"]
Angels hovering overhead or bringing food on dishes are a common feature of the subject of the rest (or repose) on the flight to Egypt, where Joseph took Jesus and his mother to es...
The Virgin, standing, with the Christ Child at her Breast
The Virgin, standing, with the Christ Child at her Breast
This Virgin and Child entered the Thyssen-Bornemisza collection in 1975. The painting was acquired as a work by Bernaert van Orley from the Cramer gallery in The Hague where it was...
The Virgin of Humility with Angels and a Donor
The Virgin of Humility with Angels and a Donor
This Virgin of Humility, whose title is inscribed on the gold background of the panel, was possibly acquired a few months before the 1930 Munich exhibition of works from the Collec...
The Virgin and Child with Angels
The Virgin and Child with Angels
The Virgin and Child with Angels was in a private English collection, entering the Thyssen-Bornemisza collection in 1933 via the Sanct Lucas gallery in Vienna. The painting has bee...
The Virgin and Child enthroned with Saints Dominic and Martin, and two angels
The Virgin and Child enthroned with Saints Dominic and Martin, and two angels
This panel of the Virgin and Child is the oldest painting in the Thyssen-Bornemisza collection. Its attribution to the Master of the Magdalen was made by Evelyn Sandberg-Vavalà and...
The Virgin of the dry Tree
The Virgin of the dry Tree
This small panel, which was in a private Belgian collection at the beginning of the 20th -century, was attributed by Grete Ring in 1919 to Petrus Christus. The panel’s iconogr...

Back to Top