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Hayford Hall: Hangovers, Erotics, and Modernist Aesthetics
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<p>In this innovative approach to modernist British and American women’s literature, essayists focus on Hayford Hall, a remote country estate in Devonshire, England, rented by Peggy Guggenheim and inhabited by a coterie of literary friends in the summers of 1932 and 1933. As a critical treatment of the living and writing that unfolded at the estate, <em>Hayford Hall: Hangovers, Erotics, and Modernist Aesthetics</em> asserts that female modernists who gathered there integrated public art with their private lives, thus making their personal writing works of experimental aesthetics.</p>
Title: Hayford Hall: Hangovers, Erotics, and Modernist Aesthetics
Description:
<p>In this innovative approach to modernist British and American women’s literature, essayists focus on Hayford Hall, a remote country estate in Devonshire, England, rented by Peggy Guggenheim and inhabited by a coterie of literary friends in the summers of 1932 and 1933.
As a critical treatment of the living and writing that unfolded at the estate, <em>Hayford Hall: Hangovers, Erotics, and Modernist Aesthetics</em> asserts that female modernists who gathered there integrated public art with their private lives, thus making their personal writing works of experimental aesthetics.
</p>.
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