Javascript must be enabled to continue!
Fire Rock: Navajo Prohibitions against Gambling
View through CrossRef
Shortly after Congress passed the Indian Gaming Regulatory Act (IGRA) in 1988, casinos started appearing on reservations across North America and generating billions of dollars for some formerly destitute tribes. Despite general enthusiasm about gaming in Indian country, the Navajo Nation, the largest Native American nation in the United States, was one of the last holdouts against gaming until quite recently. Some Navajos voiced concerns over the danger of compromising sovereignty through state gaming compacts. Others feared that gaming would attract social ills to their communities. Among those who opposed gaming on what can be termed traditional grounds, many reiterated age-old prohibitions against excess, warnings about witchcraft, statements about the importance of family, fundamental tensions between the simultaneous desire for personal agency and the need for group consensus—which operate within the framework of strong interdictions against any person attempting to control another—and narratives from Navajo oral tradition about a deity known as The Gambler that focus on the dangers of gambling and the various forms of “enslavement” it can cause. It is relevant that Navajo elders and traditionalists focused heavily on this concern because, although Congress ignored it when passing the IGRA, subsequent research reveals that due to the treatment they have received historically, colonized or previously colonized peoples have a greater risk of developing problematic relationships with gambling than members of the conquering populations.
Title: Fire Rock: Navajo Prohibitions against Gambling
Description:
Shortly after Congress passed the Indian Gaming Regulatory Act (IGRA) in 1988, casinos started appearing on reservations across North America and generating billions of dollars for some formerly destitute tribes.
Despite general enthusiasm about gaming in Indian country, the Navajo Nation, the largest Native American nation in the United States, was one of the last holdouts against gaming until quite recently.
Some Navajos voiced concerns over the danger of compromising sovereignty through state gaming compacts.
Others feared that gaming would attract social ills to their communities.
Among those who opposed gaming on what can be termed traditional grounds, many reiterated age-old prohibitions against excess, warnings about witchcraft, statements about the importance of family, fundamental tensions between the simultaneous desire for personal agency and the need for group consensus—which operate within the framework of strong interdictions against any person attempting to control another—and narratives from Navajo oral tradition about a deity known as The Gambler that focus on the dangers of gambling and the various forms of “enslavement” it can cause.
It is relevant that Navajo elders and traditionalists focused heavily on this concern because, although Congress ignored it when passing the IGRA, subsequent research reveals that due to the treatment they have received historically, colonized or previously colonized peoples have a greater risk of developing problematic relationships with gambling than members of the conquering populations.
Related Results
‘Now You Got Your Answer...’
‘Now You Got Your Answer...’
Understanding the apparently effective bodily transformation by traditional Navajo healing rituals as the part of a consistent technological practice is, perhaps too quickly, perce...
Gambling and ageing: less illusion but more risk
Gambling and ageing: less illusion but more risk
Abstract
Seniors are a population of concern due to exposure to both increasing gambling venues and powerful age-specific risk factors. There has been only limited research on t...
Campus Rock
Campus Rock
During 1967-8, The Lovin’ Spoonful, The Animals, The Who, Richie Havens, Jefferson Airplane and the Iron Butterfly, performed in the gymnasium at the small, liberal arts Drew Unive...
Campus Rock
Campus Rock
During 1967-8, The Lovin’ Spoonful, The Animals, The Who, Richie Havens, Jefferson Airplane and the Iron Butterfly, performed in the gymnasium at the small, liberal arts Drew Unive...
The Rock Arts of Metolong: Paintings, Archaeology and Cultural Resource Management in Western Lesotho
The Rock Arts of Metolong: Paintings, Archaeology and Cultural Resource Management in Western Lesotho
Abstract
Archaeological mitigation efforts in advance of Lesotho’s Metolong Dam involved comprehensive documentation of rock paintings in the area threatened with inundation, as we...
Distortion and Rock Guitar Harmony
Distortion and Rock Guitar Harmony
Research on rock harmony accords with common practice in guitar playing in that power chords (fifth interval) with an indeterminate chord quality as well as major chords are prefer...
Land Use, Land Ideology: An Integrated Geographic Information Systems Analysis of Rock Art Within South-Central California
Land Use, Land Ideology: An Integrated Geographic Information Systems Analysis of Rock Art Within South-Central California
While rock art is global in distribution, it remains a media fix in placed within particular physical environments. Because of this, it can be examined using various spatial approa...
The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity
The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity
AbstractThis article takes seriously Edward Sapir’s observation about poetry as an example of linguistic relativity. Taking my cue from Dwight Bolinger’s “word affinities,” this ar...