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Thomas Jefferson: Life lines

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Thomas Jefferson: Life Lines is a five movement composition based on excerpts from Thomas Jefferson's personal letters. The material presented focuses on the intimate, human qualities of the man. The musical treatment of this material illuminates and amplifies different aspects of the inner Jefferson. The music is as diverse and varied as Jefferson's interests. The style, tone and form of the music are directly tied to Jefferson's words. Two fundamental components of Jefferson's being, the rational mind and the emotional heart, are musically portrayed in the introduction of the first movement. The music that follows in the first and all subsequent movements is derived from these two components. The first movement contains eight brief excerpts that highlight different aspects of Jefferson's mindset. Each of the remaining movements focuses on a single subject: The second movement, the death of Jefferson's wife, Martha; the third movement, Monticello; the fourth movement, a dialogue between Jefferson's head and heart; and the fifth movement, Jefferson's belief in the free mind. The music is presented by a chamber ensemble of twenty-two performers: five woodwinds (flute, oboe, two B-flat clarinets, bassoon), five brass (two french horns in F, trumpet in C, trombone, tuba), two percussionists, piano, four vocalists (alto, two tenors, bass) and five strings (two violins, viola, cello, double bass). Historical background for each epistolary excerpt and an explanation of the its corresponding music is found in the preface.
University of North Texas Libraries
Title: Thomas Jefferson: Life lines
Description:
Thomas Jefferson: Life Lines is a five movement composition based on excerpts from Thomas Jefferson's personal letters.
The material presented focuses on the intimate, human qualities of the man.
The musical treatment of this material illuminates and amplifies different aspects of the inner Jefferson.
The music is as diverse and varied as Jefferson's interests.
The style, tone and form of the music are directly tied to Jefferson's words.
Two fundamental components of Jefferson's being, the rational mind and the emotional heart, are musically portrayed in the introduction of the first movement.
The music that follows in the first and all subsequent movements is derived from these two components.
The first movement contains eight brief excerpts that highlight different aspects of Jefferson's mindset.
Each of the remaining movements focuses on a single subject: The second movement, the death of Jefferson's wife, Martha; the third movement, Monticello; the fourth movement, a dialogue between Jefferson's head and heart; and the fifth movement, Jefferson's belief in the free mind.
The music is presented by a chamber ensemble of twenty-two performers: five woodwinds (flute, oboe, two B-flat clarinets, bassoon), five brass (two french horns in F, trumpet in C, trombone, tuba), two percussionists, piano, four vocalists (alto, two tenors, bass) and five strings (two violins, viola, cello, double bass).
Historical background for each epistolary excerpt and an explanation of the its corresponding music is found in the preface.

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