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A. P. Chekhov and Painting: From Realism to (Pre)Impressionism
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The author addresses the transitional nature of Chekhovʼs art, which had evolved from Realism to Modernism, and, trying to solve this problem, draws parallels between Chekhov’s prose and the paintings of the late 19th century. The article establishes that certain canvases of the Itinerants art movement can be identifed as direct sources of certain motives and episodes in Chekhovʼs works. By contrast, the similarities between Chekhovʼs stories and the (Pre)Impressionist paintings of Isaac Levitan cannot be reduced to exact coincidences of plot or detail, and are limited to the hard-to-defne concept of «mood».
Institute of Russian Literature Pushkinskij Dom RAN
Title: A. P. Chekhov and Painting: From Realism to (Pre)Impressionism
Description:
The author addresses the transitional nature of Chekhovʼs art, which had evolved from Realism to Modernism, and, trying to solve this problem, draws parallels between Chekhov’s prose and the paintings of the late 19th century.
The article establishes that certain canvases of the Itinerants art movement can be identifed as direct sources of certain motives and episodes in Chekhovʼs works.
By contrast, the similarities between Chekhovʼs stories and the (Pre)Impressionist paintings of Isaac Levitan cannot be reduced to exact coincidences of plot or detail, and are limited to the hard-to-defne concept of «mood».
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