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Myth, Form and Intertextuality in Edwin Muir
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Edwin Muir has often embarrassed critics as a rara avis. He was overlooked by anthologists before 1950 and, although subsequent anthologies never failed to include him, he was still hard to place for many readers. Labelled as a “traditionalist” or a “craftsman”, his later work proves however that Muir was much more. Understanding his use of myth, form and intertextuality enables us to rethink the significance of his work in the twentieth-century context.
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Title: Myth, Form and Intertextuality in Edwin Muir
Description:
Edwin Muir has often embarrassed critics as a rara avis.
He was overlooked by anthologists before 1950 and, although subsequent anthologies never failed to include him, he was still hard to place for many readers.
Labelled as a “traditionalist” or a “craftsman”, his later work proves however that Muir was much more.
Understanding his use of myth, form and intertextuality enables us to rethink the significance of his work in the twentieth-century context.
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