Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Femininity

View through CrossRef
Femininity resides at the heart of feminist debates regarding sex, gender and sexuality. As such, this chapter engages with a plethora of ways in which femininity has been defined, resisted, challenged and critiqued in contemporary short story narratives. Space, and a woman’s right to occupy space, provides the opening point of analysis through a reading of the narratives of Byatt and Tremain. The second section shifts to the notion of ‘behaving appropriately’ and examines the ways in which a selection of short stories depict and reflexively critique femininity in order to make visible and problematize societal expectations of women. Through these discussions, the female body emerges as an important motif and this is an image that will be drawn upon across the subsequent chapters. Finally, the discussion illuminates the ways in which femininity is often understood through association with a young and white female body. Subsequently, the closing section pays attention to narratives which foreground bodies “other” to this normative model and asks how this challenges the concept of femininity and, in turn, what this can tell us about contemporary feminisms.
Edinburgh University Press
Title: Femininity
Description:
Femininity resides at the heart of feminist debates regarding sex, gender and sexuality.
As such, this chapter engages with a plethora of ways in which femininity has been defined, resisted, challenged and critiqued in contemporary short story narratives.
Space, and a woman’s right to occupy space, provides the opening point of analysis through a reading of the narratives of Byatt and Tremain.
The second section shifts to the notion of ‘behaving appropriately’ and examines the ways in which a selection of short stories depict and reflexively critique femininity in order to make visible and problematize societal expectations of women.
Through these discussions, the female body emerges as an important motif and this is an image that will be drawn upon across the subsequent chapters.
Finally, the discussion illuminates the ways in which femininity is often understood through association with a young and white female body.
Subsequently, the closing section pays attention to narratives which foreground bodies “other” to this normative model and asks how this challenges the concept of femininity and, in turn, what this can tell us about contemporary feminisms.

Related Results

Afterword
Afterword
This book has examined the ways that white femininity, as an assemblage of power, is utilized in the production of a national modernity by using the case of Princess Diana. It has ...
Romy Schneider
Romy Schneider
The beautiful Austrian-born Romy Schneider was one of Europe’s most popular film stars and a cult figure from the moment she played ‘Sissi’ (Empress Elisabeth of Austria) in the hu...
La femminilità dipinta
La femminilità dipinta
Vincenzo De Luca, Women in art, 2022, Enzo Albano edizioni...
The subversive stitch
The subversive stitch
Rozsika Parker, Women in art, 1989, Routledge...
Flowers in the Abstract
Flowers in the Abstract
Before the 1920s perfume was strongly encoded. Musky scents and tropical ‘heavy florals’ were associated with prostitution, oriental perfumes with decadence and Catholicism, and li...
Thinking Women and Art in the Long Eighteenth Century
Thinking Women and Art in the Long Eighteenth Century
Thinking Women and Art in the Long Eighteenth Century represents state-of-the-art feminist scholarship in the field of eighteenth-century French and British art and visual culture....
Toni Morrison’s Shulamites
Toni Morrison’s Shulamites
This chapter focuses on Toni Morrison’s renditions of new Shulamites in Song of Solomon (1977) and Beloved (1987). The female characters of both novels highlight the power and bold...
Conformity and Idiosyncrasy: Jean Rhys
Conformity and Idiosyncrasy: Jean Rhys
By looking at Jean Rhys’s ‘Left Bank’ fiction (Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight, ‘Illusion’, ‘Mannequin’), this chapter investigates how new operational ...

Back to Top