Javascript must be enabled to continue!
John Singer Sargent, collector of modern art: works by Antonio Mancini and other Italian painters
View through CrossRef
Abstract
The aim of this essay is to shed light on John Singer Sargent, the greatest American Impressionist in Europe at the turn of the nineteenth to twentieth centuries, as a collector of modern art. With the exception of a group of works by Old Masters such as Tintoretto and Giovanni Domenico Tiepolo, the American artist’s collection was, in fact, principally composed of contemporary works of art, most of which were by Italian painters, with several of whom Sargent enjoyed more or less close relationships. Sargent’s collection, sold at Christie’s on 24–7 July 1925, contained works by artists such as Giovanni Boldini, Alberto Falchetti, Ambrogio Raffele, Domenico Morelli and, in particular, Antonio Mancini – the last said to have been called by Sargent ‘the greatest living painter’, so overwhelmed was he by his friend’s virtuosity with the paintbrush.
Title: John Singer Sargent, collector of modern art: works by Antonio Mancini and other Italian painters
Description:
Abstract
The aim of this essay is to shed light on John Singer Sargent, the greatest American Impressionist in Europe at the turn of the nineteenth to twentieth centuries, as a collector of modern art.
With the exception of a group of works by Old Masters such as Tintoretto and Giovanni Domenico Tiepolo, the American artist’s collection was, in fact, principally composed of contemporary works of art, most of which were by Italian painters, with several of whom Sargent enjoyed more or less close relationships.
Sargent’s collection, sold at Christie’s on 24–7 July 1925, contained works by artists such as Giovanni Boldini, Alberto Falchetti, Ambrogio Raffele, Domenico Morelli and, in particular, Antonio Mancini – the last said to have been called by Sargent ‘the greatest living painter’, so overwhelmed was he by his friend’s virtuosity with the paintbrush.
Related Results
Catalogus Van Nog Bestaande Schilderijen
Catalogus Van Nog Bestaande Schilderijen
AbstractThe Catholic Baron Willem Vincent van Wyttenhorst (I6I3-I674) from Utrecht was an enthusiastic collector of paintings. In his translation of Guarini's Il Pastor Fido, Hendr...
Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
King Matthias Corvinus of Hungary (1458‒1490), son of the “Scourge of the Turks,” John Hunyadi, was a foremost patron of early Renaissance art. He was only fourteen years old in 14...
Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
Teaching as a way of creating Italian transnational literature: A mission of the Italian Diaspora Studies Seminar at the University of Calabria
Teaching as a way of creating Italian transnational literature: A mission of the Italian Diaspora Studies Seminar at the University of Calabria
In this essay, I will illustrate the mission and the most significant innovative teaching activities promoted by the Italian Diaspora Studies Seminar, a research center founded in ...
The singer, not the song: women singers as composer-poets
The singer, not the song: women singers as composer-poets
In his comprehensive celebration of women singers in the twentieth century, Wilfrid Mellers proposed a three-stage socio-musical evolution from the jazz, blues and gospel songs sun...
Rural Society and the Painters’ Trade in Post-Reformation England
Rural Society and the Painters’ Trade in Post-Reformation England
Abstract:This article examines two opposing views on the role and presence of painters in post-Reformation rural England. The art historian William Gaunt concluded that painters si...
Philips Angels Lof der schilder-konst
Philips Angels Lof der schilder-konst
AbstractPhilips Angel's Lof der schilder-const (In Praise of Painting, 1642) is one of the few pieces of writing we have as a source of notions on the theory of painting in the Net...
Dirty Pictures: John Ruskin, Modern Painters, and the Victorian Sanitation of Fine Art
Dirty Pictures: John Ruskin, Modern Painters, and the Victorian Sanitation of Fine Art
WHILE MY PROJECT IS BROADLY INTERESTED in the interdisciplinary work of what I will call sanitary art in nineteenth-century Britain, this essay is primarily concerned with a waters...