Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Purcell Compendium

View through CrossRef
Ground breaking and comprehensive reference volume covering an extensive range of Purcell studies, including his life and works, his milieu and the reception of his music to the present. In the 30 years since the Tercentenary of Purcell's death in 1995 research into him and the musical culture of Restoration England has developed rapidly. Even the most authoritative books published then are now seriously out of date, and no-one since then has attempted to cover the whole range of Purcell studies. The book is largely taken up with A-Z dictionary entries, preceded by an up-to-date biography and followed by a work-list and bibliography. The dictionary includes entries for many of Purcell's works; the genres he contributed to; the titles and terms he used; the instruments he wrote for; the most important manuscript and printed sources of his music; and some pressing performance practice issues. Important threads are devoted to people associated with Purcell, including earlier composers who influenced him; his fellow composers; his pupils and followers; those who provided him with texts to set; his patrons and employers; the most important copyists, publishers and instrument makers associated with him; and those contemporaries who wrote about him. The bookbreaks new ground by giving particular emphasis to his performers, including the most prominent singers and dancers he worked with; and the individuals and institutions responsible for maintaining (or sometimes altering) his legacy up to the present.
Boydell & Brewer Ltd
Title: The Purcell Compendium
Description:
Ground breaking and comprehensive reference volume covering an extensive range of Purcell studies, including his life and works, his milieu and the reception of his music to the present.
In the 30 years since the Tercentenary of Purcell's death in 1995 research into him and the musical culture of Restoration England has developed rapidly.
Even the most authoritative books published then are now seriously out of date, and no-one since then has attempted to cover the whole range of Purcell studies.
The book is largely taken up with A-Z dictionary entries, preceded by an up-to-date biography and followed by a work-list and bibliography.
The dictionary includes entries for many of Purcell's works; the genres he contributed to; the titles and terms he used; the instruments he wrote for; the most important manuscript and printed sources of his music; and some pressing performance practice issues.
Important threads are devoted to people associated with Purcell, including earlier composers who influenced him; his fellow composers; his pupils and followers; those who provided him with texts to set; his patrons and employers; the most important copyists, publishers and instrument makers associated with him; and those contemporaries who wrote about him.
The bookbreaks new ground by giving particular emphasis to his performers, including the most prominent singers and dancers he worked with; and the individuals and institutions responsible for maintaining (or sometimes altering) his legacy up to the present.

Related Results

Purcell in Pandemic
Purcell in Pandemic
Given the major events in the 2020 election cycle, one might be forgiven for missing an important development: the Supreme Court’s repeated invocation of Purcell v. Gonzalez. The n...
Purcell Principles for State Courts
Purcell Principles for State Courts
In recent years, the U.S. Supreme Court has stressed that federal courts ordinarily should not issue remedies, such as preliminary injunctions, that would alter the rules for an im...
Henry Purcell: Towards a Tercentenary
Henry Purcell: Towards a Tercentenary
Abstract We all pay lip service to Henry Purcell, but what do we really know of himã The words are those of Ralph Vaughan Williams, in the Foreword to Eight Conce...
Gods! I can never this endure: madness made manifest in the songs of Henry Purcell (16591695) and Henry Carey (16891743)
Gods! I can never this endure: madness made manifest in the songs of Henry Purcell (16591695) and Henry Carey (16891743)
The seventeenth-century English mad song reached a pinnacle with the work of Henry Purcell (16591695), whose compositional innovations within that genre continued to be employed lo...
The Purcell Compendium
The Purcell Compendium
Ground breaking and comprehensive reference volume covering an extensive range of Purcell studies, including his life and works, his milieu and the reception of his music to the pr...
Purcell’s Dioclesian on the Dorset Garden Stage
Purcell’s Dioclesian on the Dorset Garden Stage
Abstract The original title for Henry Purcell’s first semi-opera, written in 1690, was The Prophetess: or, The History of Dioclesian (Z627), It was adapted ‘after...

Back to Top