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Nadie es profeta en su tierra

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This chapter examines Burgos's migratory routes from Puerto Rico to Havana and New York by looking at her second and third poetry collections—Canción de la verdad sencilla (Song of the Simple Truth, 1939) and El mar y tú (The Sea and You, 1954)—as well as her little-studied letters to her sister. The poetry collections and letters reveal her conflicted relationship to Puerto Rico. Despite her patriotism, home and nation became limiting, restrictive, and repressive spaces. As such, Burgos attempted to create a home and a life for herself beyond the boundaries of the nation. The chapter then discusses and extends the term sexile, usually used to describe queer migration, to heterosexual women whose sexuality appears excessive in Caribbean morality, contributing to their departure from the island.
Title: Nadie es profeta en su tierra
Description:
This chapter examines Burgos's migratory routes from Puerto Rico to Havana and New York by looking at her second and third poetry collections—Canción de la verdad sencilla (Song of the Simple Truth, 1939) and El mar y tú (The Sea and You, 1954)—as well as her little-studied letters to her sister.
The poetry collections and letters reveal her conflicted relationship to Puerto Rico.
Despite her patriotism, home and nation became limiting, restrictive, and repressive spaces.
As such, Burgos attempted to create a home and a life for herself beyond the boundaries of the nation.
The chapter then discusses and extends the term sexile, usually used to describe queer migration, to heterosexual women whose sexuality appears excessive in Caribbean morality, contributing to their departure from the island.

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