Javascript must be enabled to continue!
Regele Ferdinand I al României
View through Europeana Collections
This bronze bust represents King Ferdinand I of Romania, portrayed with the solemn
dignity characteristic of official royal portraiture from the early 20th century. Sculpted by Vasile
Ionescu‑Varo (1887-1966), a Romanian artist known for his monumental works dedicated to national heroes and
historical figures, the piece reflects both academic training and the commemorative spirit of the interwar
period. The king is shown wearing a military ceremonial uniform, complete with richly detailed decorations,
medals, and a sash that crosses the chest. His facial features—firm jawline, neatly groomed mustache, and
steady, forward‑looking gaze—convey authority, resolve, and the calm determination associated with his reign
during World War I and the Great Union of 1918.
Title: Regele Ferdinand I al României
Description:
This bronze bust represents King Ferdinand I of Romania, portrayed with the solemn
dignity characteristic of official royal portraiture from the early 20th century.
Sculpted by Vasile
Ionescu‑Varo (1887-1966), a Romanian artist known for his monumental works dedicated to national heroes and
historical figures, the piece reflects both academic training and the commemorative spirit of the interwar
period.
The king is shown wearing a military ceremonial uniform, complete with richly detailed decorations,
medals, and a sash that crosses the chest.
His facial features—firm jawline, neatly groomed mustache, and
steady, forward‑looking gaze—convey authority, resolve, and the calm determination associated with his reign
during World War I and the Great Union of 1918.
Related Results
Tablo with similarities of Czech rulers
Tablo with similarities of Czech rulers
Miniatures from the left - Bohemia [great-father], Step I., Step II.Libuše, Nezamysl, Mnata, Vojen, Vnislav, Křesomysl, Neklan, Hostivít, Bořivoj, Spytibrov I., Wrocław I, Václav, ...
Emperor Ferdinand III. elevates Wentzl Hegemüller von Dubenweiller to the status of free gentlemen, is awarded by Herr Hegemüller’s predicate Freyherr auf Albrechtsberg an der Pielach and improves his coat of arms
Emperor Ferdinand III. elevates Wentzl Hegemüller von Dubenweiller to the status of free gentlemen, is awarded by Herr Hegemüller’s predicate Freyherr auf Albrechtsberg an der Pielach and improves his coat of arms
Character: description on folk. 7a and 7b, miniature on folk. 4a, 155 x 187 mm.
Cosmo inclined gold shield with black cosmic crossbar on which is a double-tailed lion 1) with red t...
The tomb of Ferdinand II at center in the background within the choir of the church, three arches in center foreground, Austrian coat of arms hung in center arch, from "Ceremonies for the Funeral of Emperor Ferdinand II" (Funérailles de l'empereur Ferdina
The tomb of Ferdinand II at center in the background within the choir of the church, three arches in center foreground, Austrian coat of arms hung in center arch, from "Ceremonies for the Funeral of Emperor Ferdinand II" (Funérailles de l'empereur Ferdina
Etching; second state of two, Ceremonies for the Funeral of Emperor Ferdinand II (Funérailles de l'empereur Ferdinand II)...
Le Mariage de Ferdinand 1er (The Marriage of Ferdinand I de'Medici), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Le Mariage de Ferdinand 1er (The Marriage of Ferdinand I de'Medici), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Engraving; first state of two (Lieure), La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis...
Le Mariage de Ferdinand 1er (The Marriage of Ferdinand I de'Medici), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Le Mariage de Ferdinand 1er (The Marriage of Ferdinand I de'Medici), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Engraving; second state of two (Lieure), La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis...
Le Mariage de Ferdinand Ier (The Marriage of Ferdinand I de'Medici), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)
Le Mariage de Ferdinand Ier (The Marriage of Ferdinand I de'Medici), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)
Engraving; first state of two (Lieure), La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis...
Le Mariage de Ferdinand Ier (The Marriage of Ferdinand I de'Medici), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Le Mariage de Ferdinand Ier (The Marriage of Ferdinand I de'Medici), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Engraving; first state of two (Lieure), La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis...
Interior of the church of San Lorenzo in Florence, five pillars, each with a large figure of death on a pedestal, ten hooded figures with staffs in foreground, two altars in the background, cartouches containing female figures above, from "Ceremonies for
Interior of the church of San Lorenzo in Florence, five pillars, each with a large figure of death on a pedestal, ten hooded figures with staffs in foreground, two altars in the background, cartouches containing female figures above, from "Ceremonies for
Etching; second state of two, Ceremonies for the Funeral of Emperor Ferdinand II (Funérailles de l'empereur Ferdinand II)...

