Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Master of the Animals Finial

View through Harvard Museums
This “master of animals” finial depicts a stylized man with an (attacking?) animal on each side. The man has a fungiform cap, open at the center for insertion of a pin. The man, who is janiform (having the same face on front and back), has open, circular eyes, molded brows, and a prominent triangular nose. His mouth is two raised lines, and his jaw is rounded. He has small, rounded ears high on his head, partially obscured by the mouths of the animals. The only other part of his body that is possibly visible is the belt encircling his waist, bordered on the top and bottom by raised bands (although, since the bodies of the animals are not visible here, it may be decorative). The animals press their midsections against the man, clutching him with their forepaws, heads raised and mouths open directly next to his head. The animals have curved ears, wide eyes, furrowed heads and snouts, and mouths open revealing large canines. Their forelimbs are pressed flat to his body, with their paws encircling his neck. The bodies disappear beneath the belt at the waist and then reappear below the belt with prominent hindquarters and bent legs. While rendered rather flatly on the front, their bodies are very raised on the side, creating an hourglass shape. They have long tails curling into a double spiral. The end of the cylinder has molded lines on one side. A thin strip of metal separating the hindlimbs of the animals may be the body of the man (or reinforcing—it is broken at the bottom on one side).
Department of Ancient and Byzantine Art & Numismatics Louise M. and George E. Bates Camden ME (by 1971-1992) gift; to the Harvard University Art Museums 1992. Harvard Art Museums/Arthur M. Sackler Museum Gift of Louise M. and George E. Bates
Title: Master of the Animals Finial
Description:
This “master of animals” finial depicts a stylized man with an (attacking?) animal on each side.
The man has a fungiform cap, open at the center for insertion of a pin.
The man, who is janiform (having the same face on front and back), has open, circular eyes, molded brows, and a prominent triangular nose.
His mouth is two raised lines, and his jaw is rounded.
He has small, rounded ears high on his head, partially obscured by the mouths of the animals.
The only other part of his body that is possibly visible is the belt encircling his waist, bordered on the top and bottom by raised bands (although, since the bodies of the animals are not visible here, it may be decorative).
The animals press their midsections against the man, clutching him with their forepaws, heads raised and mouths open directly next to his head.
The animals have curved ears, wide eyes, furrowed heads and snouts, and mouths open revealing large canines.
Their forelimbs are pressed flat to his body, with their paws encircling his neck.
The bodies disappear beneath the belt at the waist and then reappear below the belt with prominent hindquarters and bent legs.
While rendered rather flatly on the front, their bodies are very raised on the side, creating an hourglass shape.
They have long tails curling into a double spiral.
The end of the cylinder has molded lines on one side.
A thin strip of metal separating the hindlimbs of the animals may be the body of the man (or reinforcing—it is broken at the bottom on one side).

Related Results

Tankard, with attached top
Tankard, with attached top
Footed vessel with hinged top with baluster finial and scroll thumbpiece; cut card decoration on top around finial and around base of vessel; pointed ear-shaped handle; fully hallm...
Tea Pot
Tea Pot
Teapot with circular double ogee outline, set with straight stick handle and finial made of ebony with a slight cross-shaped incision on end of handle. The surface of the pot has a...
The Virgin and Child enthroned with Saints Dominic and Martin, and two angels
The Virgin and Child enthroned with Saints Dominic and Martin, and two angels
This panel of the Virgin and Child is the oldest painting in the Thyssen-Bornemisza collection. Its attribution to the Master of the Magdalen was made by Evelyn Sandberg-Vavalà and...
Cuff band with animals in interlocking scrolls
Cuff band with animals in interlocking scrolls
This fragment’s size and double band design suggests that it originally ornamented the sleeve cuff of a tunic. The bands are figured as inhabited grape vine scrolls; each roundel o...
Circular Mirror with Decoration of Chinese Zodiac Animals and Auspicious Characters
Circular Mirror with Decoration of Chinese Zodiac Animals and Auspicious Characters
A thin, well-defined, relief lip borders this circular mirror's decorated back. The decorative scheme is organized into five concentric rings with the crouching-beast-form boss at ...
The Crucifixion
The Crucifixion
It was Friedländer who established the artistic personality of this anonymous artist working in Delft, and attributed the first group of works to his name. Taking his reference poi...
Textile Fragment: Animals and Figures Around Vegetation
Textile Fragment: Animals and Figures Around Vegetation
A portion of a red tapestry woven square (tabula). The design is characterized by mirror symmetry. Animals and birds flank a large abstract, jeweled candelabra plant emerging from ...
Breechcloth
Breechcloth
Breechcloth; probably Yanktonai; 1860-1870Wool, porcupine quills, sinew, metal, horsehair, pigments; 117.5 x 28.5 cm.\RMV 710-9; Herman F.C. ten Kate collection; purchased from tra...

Back to Top